User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Setting the oscillator’s basic parameters |331
Bank Meaning
ROM Factory multisamples, supplied by KORG as standard.
RAM User multisamples, loaded when loading some User Sounds.
The High multisample will be triggered by velocities higher than the Velocity
SW L–>H value. If you do not want to use velocity switching, set the switch to
a value of 001, and only assign the High multisample.
If the RAM multisample is based on compressed samples, it will appear but
will not sound (or only some ranges will sound).
▪ Use the Offset parameters to specify the point where the multisample(s) will
start to play. With some multisamples this parameter is not available.
Offset Meaning
Off The sound will start from the beginning of the multisample wave-
form.
1st…6th The sound will begin from the offset location predetermined for
each sample.
No Attack The initial portion of the multisample is ignored.
AMS Activates the Alternate Modulation Source (see below).
PseudoRandom (Only works when more than a single Offset point is available in
the multisample). Randomly selects one of the available Offset
points (including Attack and Off).
▪ Select the Rev checkbox to reverse the samples in the multisample (reading
starts from the end).
▪ Use the Level parameters to specify the volume level (0…127) of each mul-
tisample.
Depending on the multisample, high settings of this parameter may cause
the sound to distort when a chord is played. If this occurs, lower the level.
Setting octave and fine tuning
▪ Use the Octave parameter to adjust the pitch of the selected oscillator in
octave units (-2…+1). The normal octave is 0 (Zero).
▪ Use the Transpose parameter to adjust the pitch of the selected oscillator
over a range of ±1 octave (-12…+12 semitones).
▪ Use the Tune parameter to adjust the pitch of the sample over a range of ±1
octave (-1200…+1200 cents of a semitone) .