User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
332| Editing the Sounds
Setting the velocity switch between the Low and High layers
▪ Use the Vel SW L–>H parameter to set the velocity value dividing the High
and Low multisamples for the selected oscillator. Notes struck harder than
this value will be played by the High multisample.
Choosing an AMS (Alternate Modulation Source)
When the AMS option is assigned to the Offset parameter, the Offset
Intensity by AMS and AMS parameters become available. A list of AMS
sources can be found in the Appendix.
1 When the Offset Intensity by AMS parameter has a positive value, the se-
lected Offset point will depend by the AMS value. For example, with the
Velocity AMS, playing softly will select the Off or 1st Offset, while playing
loudly will select the 6th or No Attack Offset.
When the Offset Intensity by AMS parameter has a negative value, the se-
lection will happen in reverse (higher-numbered Offsets will be selected be-
fore the lowest-numbered ones).
Oscillator triggering
Triggering Mode is how the oscillator will start when pressing a key.
Choosing the oscillator triggering mode
▪ Use the OSC Trigger Mode > Mode pop-up menu to choose how to trigger
the selected oscillator. For example, a Normal-triggered oscillator will always
play, while a Legato-triggered oscillator will only play when a note is played
legato.
Trigger Mode Meaning
Normal The Oscillator always plays when a key is pressed (unless the
“OSC Off when Sound Controllers are On” parameter is checked).
Legato The Oscillator only plays when the note is played ‘legato’. The de-
lay and pitch interval from the previous note are also to be con-
sidered, as set in the Sound Edit > Basic > Sound Basic page
(Legato as OSC Trigger parameter).
Staccato The Oscillator only plays when the note is NOT played legato (it is
the opposite of the above choice).










