User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Setting the oscillator’s basic parameters |333
Trigger Mode Meaning
Sound Controller 1 The Oscillator only plays when a CC#80 (Sound Controller 1) mes-
sage is received. Press and release the corresponding physical
controller, and the next note will also trigger the selected Oscillator.
If you keep it pressed, the Oscillator will continue to be triggered
until you release the controller.
Hint: This (like the following Sound Controllers) is especially useful
to enable a different nuance to the following note(s).
Sound Controller 2 As the above, but with the CC#81 (Sound Controller 2) message.
Sound Controller Y+ As the above, but with the joystick, assigned as the Sound
Controller, pushed at least half-way forward (value 64). The con-
troller is turned off when the joystick is released. This control is
equivalent to a CC#01 (Modulation) Control Change message.
Sound Controller Y- As the above, but with the joystick, assigned as the Sound
Controller, pulled at least half-way back (value 64). The controller
is turned off when the joystick is released. This control is equiva-
lent to a CC#02 (Breath Controller) Control Change message.
Cycle 1 All Oscillators with this same trigger mode assigned will play in cy-
cle. For example, if Oscillators 1, 2 and 4 are assigned the Cycle
1 trigger mode, the following note will trigger Oscillator 1, then 2,
then 4, then 1 again.
Hint: This is especially useful to trigger different sound nuances or
create vector-like sound sequences.
Cycle 2 As the above, for use with a different (and parallel) group of
Oscillators. Having two Cycle Trigger Modes allows for cycling
stereo multisamples.
Random As the above, but with a random selection of Oscillators within the
assigned group.
After Touch Trigger
On
The Oscillator starts playing when an After Touch message with a
value of at least 90 is received. The Velocity value is the same as
the latest Note On message. The Oscillator will stop playing when
the After Touch value falls back to zero.
Hint: This (like the following Triggers) is especially useful to trigger
harmonics or growls when a note is already playing.
Y+ Trigger On As the above, but with the joystick, assigned as the Sound
Controller, pushed at least half-way forward (value 64). The con-
troller is turned off when the joystick is released. This control is
equivalent to a CC#01 (Modulation) Control Change message.
Y- Trigger On As the above, but with the joystick, assigned as the Sound
Controller, pulled at least half-way back (value 64). The controller
is turned off when the joystick is released. This control is equiva-
lent to a CC#02 (Breath Controller) Control Change message.
Legato Up Like Legato, but this is only activated when the second note is out
of the Max Range value (as set in the Basic > Sound Basic page)
and it is higher than the rst one.










