User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
334| Editing the Sounds
Trigger Mode Meaning
Legato Down Like Legato, but this is only activated when the second note is
out of the “Max Range” value (as set in the Basic > Sound Basic
page) and it is lower than the rst one.
Choosing a delay before note start
▪ Use the Delay parameter to set a lapse between pressing a key and hearing
the beginning of the sound.
Delay Meaning
0…5000ms Delay time (in milliseconds)
KeyOff The sound will begin when the note is released. The note velocity
is read from the Key On Velocity.
This is useful to create sounds such as the ‘click’ that is heard
when a harpsichord note is released. In this case, set the Sustain
parameter to 0 (see the Amp > Amp EG page).
KeyRel Key Release. The sound will begin when the note is released. The
note velocity is read from the Key Off Velocity.
NatRel Natural Release. The sound will begin when the note is released.
The note starts from the current volume of the sound. If the sound’s
volume is already at zero, this oscillator is not retriggered.
Reversing the controllers
▪ Select the OSC Off when Sound Controllers are On checkbox to reverse
the way Sound Controllers work. With this parameter checked, the current
oscillator will not play when one of the Sound Controllers (Sound Controller
1, Sound Controller 2, Sound Controller Y+, Sound Controller Y-) is activated.
It should be applied to oscillators with Normal, Legato, Staccato, Cycle 1,
Cycle 2, Random, After Touch Trigger On, Y+ Trigger On, Y- Trigger On,
Legato Up and Legato Down trigger modes, that can be turned off by using a
footswitch or the joystick programmed as a Sound Controller.