User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Setting the oscillator’s basic parameters |335
Setting the velocity and key zone
You can limit the selected oscillator to play inside a defined velocity zone
and key range. This will allow for creating different key and velocity layers.
▪ Go to the Sound > Basic > Vel/Key Zone page.
Setting a velocity zone
▪ Use the Velocity Zone (Top and Bottom) parameters (0…127) to specify the
velocity zone for the selected oscillator.
Setting a key range
▪ Use the Keyboard Range (Top Key and Bottom Key) parameters (C-1…G9) to
specify the note range for the selected oscillator.
Scaling the received velocity values
▪ Use the Scaled Velocity (Top and Bottom) parameters (0…127) to scale the
velocity values received by the oscillator. By using the Velocity Zone, an os-
cillator may be limited to a restricted range (say, 10 to 20), that may result in
weak dynamics when the associated sample is triggered.
By assigning a different value to these parameters, the restricted range will
be expanded to a wider range (for example, the lowest range value of 10 may
be converted to a Scaled Velocity value of 0, and the highest range value of
20 may be converted to a Scaled Velocity value of 127). All values included
between the minimum and maximum value are scaled accordingly.
As a consequence, you can create an RX Sound of guitar, by assigning
the guitar fret noise to the 10~20 velocity range. When a dynamics value
between 10~20 is received, the real velocity value is scaled to the Scaled
Velocity values, and will play louder.










