User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Programming the Damper pedal |337
Damper Mode Meaning
Repedaling This mode acts as the Normal mode, but also enables the Damper
pedal effect when the pedal is pressed after the note has been
released (Note Off). In this case, the Damper effect starts from the
current Release level, and decays slowly.
Do not use Repedaling in Sounds used by Style tracks.
Programming the Resonance/Halo
You can program the Resonance/Halo effect that is enabled by the
Resonance/Halo Damper Mode (see above). These parameters only affect
the Resonance/Halo that is enabled when pressing the Damper pedal down
when a note is already playing.
▪ Use the Attack Time parameter to set the time needed to the Resonance/
Halo to reach the maximum level after the Damper pedal has been pressed.
Values (0…99) are relative to the current Amp Env Attack value.
▪ Use the Release Time parameter to set the time needed to the Resonance/
Halo to fade out after the Damper pedal has been released. Values (0…99)
are relative to the current Amp Env Release value.
▪ Use the Volume Scaling parameter to set the volume of the Resonance/Halo
effect. Values (0…100%) are relative to the current level of the sound, as de-
termined by the sum of the Multisample Volume, Velocity value and current
Amp Env value. 0% is no volume at all.
Setting a key range without dampers
In an acoustic piano, the felt dampers can only dampen strings up to a cer-
tain note. Starting from that note (usually G6), it is as if the Damper pedal
was always pressed down, and the dampers removed from the strings.
▪ When the Damper is in Normal mode (see above), use the No Note Off Range
> From Note parameter to choose the note (C#-1…G9) starting from which
notes are never dampened.
This parameter has no effect on the Resonance/Halo mode.