User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
344| Editing the Sounds
▪ Use the AMS and Int(ensity) parameters to choose the AMS modulation
source and its intensity.
When the Intensity parameter has a positive value, the selected Offset point
will depend on the AMS value. For example, with the Velocity AMS, playing
softly will select the Off or 1st Offset, while playing loudly will select the 6th
or No Attack Offset.
When the Intensity parameter has a negative value, the selection will hap-
pen in reverse (higher-numbered Offsets will be selected before the lowest-
numbered ones).
Setting the sample level
▪ Use the Level parameter to specify the level of the sample.
Programming the sample envelope
▪ Use the Attack and Decay parameters to offset the selected sample’s EG
Attack and Decay segments.
Programming the filter
▪ Use the Cutoff and Resonance parameters to set the cutoff frequency and
resonance for the filter applied to the selected sample.
Setting transpose and fine tuning
▪ Use the Transpose parameter (-64…+63 semitones) to transpose the select-
ed sample. Use it to change the pitch of the selected key.
▪ Use the Tune parameter (-99…+99 cents of a semitone) to fine-tune the as-
signed sample.