User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Modulating pitch |351
to simulate the downward swoops that a guitarist produces using the trem-
olo arm.
Choosing a pitch modulation source
▪ Use the Pitch > AMS (Alternate Modulation Source) pop-up menu to select a
modulation source for the pitch of the selected oscillator. A list of the avail-
able AMS sources is in the Appendix.
The Intensity parameter (-12.00…+12.00) specifies the depth and direction
of the effect produced by the AMS. With a setting of 0, no modulation will be
applied. With a setting of 12.00, the pitch will change up to one octave.
For example, if you choose the JS (-Y) AMS and move the joystick down-
wards, the pitch will rise if this parameter is set to a positive (+) value, or fall
if this parameter is set to a negative (–) value. The range is a maximum of
one octave.
Controlling the Pitch EG (Envelope Generator)
Use the Pitch EG parameters to controls the Pitch EG unique to all oscilla-
tors.
Linking pitch to velocity
▪ The Velocity Intensity parameter (-12.00…+12.00) specifies the depth and
direction of the Pitch EG modulation. With a setting of 12.00, the pitch will
change a maximum of ±1 octave.
Linking pitch to an AMS modulation
▪ Use the Pitch EG > AMS parameter to select a modulation source for the
pitch EG of the selected oscillator. A list of the available AMS sources is in
the Appendix.
▪ Use the Pitch EG > Intensity parameter to specify the depth and direction of
the AMS. For example, if you choose the Velocity AMS and set this value to
+12.00, the velocity will control the range of pitch change produced by the
pitch EG in a range of ±1 octave. As you play more softly, the pitch change will
draw closer to the pitch EG levels.