User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
364| Editing the Sounds
Applying LFO to the filters
You can use LFO to apply cyclic modulation to the cutoff frequency of the
filters. This will create cyclical changes in tone on the selected oscillator.
▪ Go to the Sound > Filter > Filter LFO Mod page.
Modulating the filters with the LFOs
▪ Use the LFO 1/2 > Intensity to A/B parameters (-99…+99) to specify the
depth and direction of the modulation that LFO 1/2 (set on Sound Edit > LFO
> LFO 1 or LFO 2) will have on the cutoff frequency of filter A/B. Negative (–)
settings will invert the phase.
Change in cutoff
Low setting High setting
▪ Use the JS (Joystick) –Y Intensity to A/B parameters (-99…+99) to modu-
late LFO with the joystick pulled back.
By moving the joystick in the Y direction (toward yourself), you can control
the depth at which LFO 1/2 modulates the cutoff frequency of filter A/B. This
parameter specifies the depth and direction of the control.
Higher settings of this parameter will produce greater increases in the effect
of LFO 1/2 on the filter when the joystick is moved toward yourself.
▪ Use the LFO 1/2 > AMS pop-up menus to select a modulation source for the
cutoff frequency of both filters A and B.
The Intensity to A/B parameters (-99…+99) set the depth and direction of
the effect that the AMS will have on filter A/B.