User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
406| Effects for the MIDI Sounds
c: Attack
This parameter controls the attack level.
Dry
Wet
Time
Level
Attack=80
Attack=20
Compressor - Attack
2: Stereo Limiter
The Limiter regulates the input signal level. It is similar to the Compressor,
except that the Limiter compresses only signals that exceed the specified
level to lower unnecessary peak signals. The Limiter applies a peaking-type
EQ to the trigger signal (which controls the degree of the Limiter effect), al-
lowing you to set any band width to be covered. This effect is a stereo limiter.
You can link left and right channels, or use each channel individually.
Left
Right
FX Control BUS 1
FX Control BUS 2
FX Amt
FX Amt
Stereo In - Stereo Out
Limiter
Limiter
Envelope Source
Gain Adjust
Gain Adjust
Side PEQ
Envelope - Control
Envelope - Control
Trigger Monitor
+
Envelope Select
a Envelope Select L/R Mix,
L Only, R Only,
L/R Individually
Selects from linking both channels,
controlling only from left channel,
only from the right channel, or con-
trolling each channel individually
b Ratio 1.0 : 1…
50.0 : 1,
Inf : 1
Sets the signal compression ratio
c Threshold [dB] –40…0 Sets the level above which the com-
pressor is applied
v Attack 1…10 0 Sets the attack time
Release 1…10 0 Sets the release time