User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
410| Effects for the MIDI Sounds
g High Offset [dB] –40…0 Gain of the high-range trigger signal
h Gain Adjust [dB] –Inf,
–38…+24
Sets the output gain
Src Off…Tempo Selects the modulation source for the
output gain
Amt –63…+63 Sets the modulation amount of the out-
put gain
i Wet/Dry Dry, 1:99…99:1,
Wet
Balance between the wet and dry sig-
nal
Src Off…Tempo See DMS (Dynamic Modulation
Source)
Amt –100…+100 Amount of modulation source
e: Low Offset [dB]
f: Mid Offset [dB]
g: High Offset [dB]
These parameters set the gain of the trigger signal.
For example, if you do not want to apply compression to the high range, re-
duce the “High Offset” value down below the “Threshold” level. In this way,
the high range limiter will not respond, and compression will not be applied.
4: St.MasteringLimtr (Stereo Mastering Limiter)
This is a stereo limiter that is optimized for mastering songs.
Left
Right
FX Amt
FX Amt
Stereo In - Stereo Out
Limiter
Limiter
Out Ceiling
Out Ceiling
Envelope - Control
+
a Threshold [dB] –30.0…0.0 Sets the level above which the com-
pressor is applied
b Out Ceiling [dB] –30.0…0.0 Sets the output gain
c Release [msec] 0.50…1000.0 Sets the release time