User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
EQ and Filters (EQ/Filter) |419
9: Stereo Isolator
This is a stereo effect that separates the input signal into low, mid, and high-
frequency bands, and controls the volume of each band independently. For
example you can separately boost or cut the kick, snare, and hi-hat sounds
from a drum signal in realtime.
D
-mod
D
-mod
D
-mod
Left
Right
FX Amt
FX Amt
Stereo In - Stereo Out
Trim
Isolator
Low
Mid
High
Trim
Low
Mid
High
a Trim 0…10 0 Sets the input level
b Low/Mid [Hz] 100…500 Sets the frequency at which the low
and mid bands are divided
c Mid/High [Hz] 2000…6000 Sets the frequency at which the mid
and high bands are divided
d Low Gain [dB] –Inf,
– 5 9…+12
Sets the low-frequency gain
Src Off…Tempo Selects the source that will modulate
low-frequency gain
Amt –72…+72 Sets the amount by which the low-
frequency gain will be modulated
e Mid Gain [dB] –Inf, –59…+12 Sets the mid-frequency gain
Src Off…Tempo Selects the modulation source for
mid-frequency gain
Amt –72…+72 Sets the amount by which the mid-
frequency gain will be modulated
f High Gain [dB] –Inf, –59…+12 Sets the high-frequency gain
Src Off…Tempo Selects the modulation source for
high-frequency gain
Amt –72…+72 Sets the amount by which the high-
frequency gain will be modulated