User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
422| Effects for the MIDI Sounds
a: Frequency Bottom
a: Frequency Top
The sweep width and direction of the wah filter are determined by the
“Frequency Top” and “Frequency Bottom” settings.
Max
D
-mod
Frequency
Bottom=25
Top=75
Higher
Max
Zero
Higher
D
-mod
Frequency
Bottom=60
Top=30
Higher
Zero
Higher
Frequency
Bottom=25
Top=75
Higher
Frequency
Bottom=75
Top=25
Higher
Sweep Mode=Auto
Envelope
Envelope
Time
Wah
Woo
Woo
Woo
Envelope
Wah Wah
Time
Woo
Woo
Wah
Wah
Sweep Mode=D-mod
b: Sweep Mode
This parameter changes the wah control mode. Setting “Sweep Mode” to
Auto will select an auto-wah that sweeps according to envelope changes in
the input signal level. Auto-wah is frequently used for funk guitar parts and
clav sounds.
When “Sweep Mode” is set to D-mod, you can control the filter directly via
the modulation source in the same way as a wah pedal.
When “Sweep Mode” is set to LFO, the effect uses LFO to sweep in cycle.
c: Envelope Sens
This parameter sets the sensitivity of auto-wah. Increase the value if the in-
put signal is too low to sweep. Reduce the value if the input signal is so high
that the filter is stopped temporarily.