User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
432| Effects for the MIDI Sounds
a: OSC Mode
b: Note Interval
b: Note Fine
The “OSC Mode” parameter selects the oscillator operation mode. When
Note (Key Follow) is selected, the oscillator’s frequency is determined based
on the note number, allowing you to use it as an octaver. The “Note Interval”
parameter sets the pitch offset from the original note number by semitone
steps. The “Note Fine” parameter allows you to fine-tune in steps of cents.
d: Envelope Pre LPF
This parameter sets the upper limit of the frequency range to which very low
harmonics are added. Adjust this parameter if you do not want to add lower
harmonics to the higher range.
15: Talking Modulator
This effect adds an unusual character, like a human voice, to the input signal.
Modulating the tone via dynamic modulation, you can create an interesting
effect that sounds as if the guitar or synthesizer is talking.
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
Left
Right
FX Amt
FX Amt
+
D
-mod
Voice Top: A
Voice Center: I
Voice Bottom: U
A - I - U - E - O
Talking Modulator
LFO
D-mod
LFO
Sweep Mode
a Sweep Mode D-mod, LFO Switches between modulation source
control and LFO control
b Manual Voice Control Bottom,
1…49, Center,
51…99, Top
Voice pattern control
Src Off…Tempo Selects the modulation source that con-
trols the voice pattern
c Voice Top A, I, U, E, O Selects a vowel sound at the top end of
control
d Voice Center A, I, U, E, O Selects a vowel sound in the center of
control