User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Overdrive, Amp models, and Mic models (OD Amp Mic) |439
Overdrive, Amp models, and Mic models
(OD Amp Mic)
18: OD/Hi.Gain Wah (Overdrive/Hi.Gain Wah)
This distortion effect utilizes an Overdrive mode and a Hi-Gain mode.
Controlling the wah effect, the 3-band EQ, and the amp simulation will allow
you to create versatile distortion sounds. This effect is suitable for guitar
and organ sounds.
Left
Right
FX Amt
FX Amt
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
Amp Simulation
3 Band EQ
Output Level
Direct Mix
Pre Low-cut
D
-mod
Wah
Mode: Overdrive / Hyper-Gain
Drive
Driver
+
a Wah Off, On Switches Wah on/off
Src Off…Tempo Selects the modulation source that
switches the Wah on and off
Sw Toggle,
Moment
Selects the switching mode for the
modulation source that switches the
Wah on and off
b Wah Sweep Range –10…+10 Sets the range of Wah
Wah Sweep Src Off…Tempo Selects the modulation source that con-
trols the Wah
c Drive Mode Overdrive,
Hi-Gain
Switches between overdrive and hi-
gain distortion
d Drive 1…10 0 Sets the degree of distortion
Pre Low-cut 0…10 Sets the low range cut amount of the
distortion input
e Output Level 0…50 Sets the output level
Src Off…Tempo Selects the modulation source for the
output level
Amt –50…+50 Sets the modulation amount of the out-
put level