User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Chorus, Flanger, and Phaser (Cho/Fln Phaser) |465
b R Dly Bottom [msec] 0.0…50.0 Sets the lower limit of the right-channel
delay time
R Dly Top [msec] 0.0…50.0 Sets the upper limit of the right-chan-
nel delay time
c Sweep Mode EG, D-mod Determines whether the anger is con-
trolled by the envelope generator or by
the modulation source
Src Of f…Tempo Selects the modulation source that
triggers the EG (when Sweep Mode
= EG), or the modulation source that
causes the anger to sweep (when
Sweep Mode = D-mod)
d EG Attack 1…10 0 Sets the EG attack speed
EG Decay 1…10 0 Sets the EG decay speed
e Feedback –100…+100 Sets the feedback amount
f High Damp [%] 0…10 0 Sets the feedback damping amount in
the high range
g Wet/Dry -Wet, -1:99…
Dry…99:1, Wet
Balance between the wet and dry sig-
nal
Src Of f…Tempo See DMS (Dynamic Modulation
Source)
Amt –100…+100 Amount of modulation source
c: Sweep Mode
c: Src
This parameter switches the flanger control mode. With “Sweep Mode” = EG,
the flanger will sweep using the envelope generator. This envelope genera-
tor is included in the envelope flanger, and not related to the Pitch EG, Filter
EG, or Amp EG.
The “Src” parameter selects the source that starts the envelope generator.
If you select, for example, Gate, the envelope generator will start when the
note-on message is received.
When “Sweep Mode” = D-mod, the modulation source can control the flang-
er directly. Select the modulation source using the “Src” parameter.
The effect is off when a value for the modulation source specified for
the “Src” parameter is smaller than 64, and the effect is on when the value
is 64 or higher. The Envelope Generator is triggered when the value changes
from 63 or smaller to 64 or higher.