User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Modulation and Pitch Shift (Mod./P.Shift) |473
f MIDI Sync Off, On When this is on, the LFO speed is set by BPM,
Base Note, and Times, instead of Frequency
BPM MIDI,
40.00…
300.00
MIDI syncs to the system tempo; 40–300
sets the tempo manually for this individual
effect
Base Note
r… w
Selects the type of notes that specify the LFO
speed
Times x1…x32 Sets the number of notes that specify the
LFO speed
g Depth 0…10 0 Sets the depth of LFO modulation
Src Off…Tempo Selects the modulation source of the LFO
modulation depth
Amt –100…+100 Sets the modulation amount of the LFO mod-
ulation depth
h Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry signal
Src Off…Tempo See DMS (Dynamic Modulation Source)
Amt –100…+100 Amount of modulation source
a: AUTOFADE Src
b: Fade-In Delay [msec]
b: Fade-In Rate
d: LFO Frequency Mod
When “LFO Frequency Mod” is set to AUTOFADE, you can use the modula-
tion source selected in “AUTOFADE Src” as a trigger to automatically fade in
the modulation amount. When “MIDI Sync” is set to On, you cannot use this.
The “Fade-In Rate” parameter specifies the rate of fade-in. The “Fade-In De-
lay” parameter determines the time from AutoFade modulation source On
until the fade-in starts.
The following is an example of fade-in where the LFO speed is increased
from “1.0Hz” to “4.0Hz” when a note-on message is received.
AUTOFADE Src=Gate1, LFO Frequency Mod=AUTOFADE, LFO Frequency
[Hz]=1.0, Amt=3.0
The effect is off when a value for the dynamic modulation source speci-
fied for the “AUTOFADE Src” parameter is smaller than 64, and the effect is