User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Modulation and Pitch Shift (Mod./P.Shift) |481
43: Scratch
This effect is applied by recording the input signal and moving the modula-
tion source. It simulates the sound of scratches you can make using a turn-
table.
Input
D-mod
Envelope Select
D
-mod
Envelope Control
Left
Right
FX Amt
FX Amt
FX Amt = 100: Mono In - Mono Out / FX Amt = 0: Stereo In - Stereo Out
+
Scratch
Direct
Mix
D
-mod
Rec Control
Scratch
a Scratch Source Of f…Tempo Selects the modulation source for simulation
control
b Response 0 …10 0 Sets the speed of the response to the
Scratch Src
c Envelope Select D-mod, Input Selects whether the start and end of record-
ing is controlled via the modulation source
or the input signal level
Src Of f…Tempo Selects the modulation source that controls
recording when Envelope Select is set to
D-mod
d Threshold 0…10 0 Sets the recording start level when Envelope
Select is set to Input
e Response 0…10 0 Sets the speed of the response to the end
of recording
f Direct Mix Always On,
Always Off,
Cross Fade
Selects how a dry sound is mixed
g Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry signal
Src Of f…Tempo See DMS (Dynamic Modulation Source)
Amt –100…+100 Amount of modulation source