User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Modulation and Pitch Shift (Mod./P.Shift) |489
a LFO Waveform Triangle, Sine Selects the LFO Waveform
LFO Shape –100…+100 Changes the curvature of the LFO Waveform
b LFO Phase [de-
gree]
–180…+180 Sets the LFO phase difference between the
left and right
c LFO Frequency
[Hz]
0.02…20.00 Sets the speed of the LFO
Src Off…Tempo Selects a modulation source for LFO speed
Amt –20.00…
+20.00
Sets the modulation amount of LFO speed
d MIDI Sync Off, On When this is on, the LFO speed is set by
BPM, Base Note, and Times, instead of
Frequency
BPM MIDI,
40.00…
300.00
MIDI syncs to the system tempo; 40–300
sets the tempo manually for this individual
effect
Base Note
…
Selects the type of notes that specify the
LFO speed
Times x1…x32 Sets the number of notes that specify the
LFO speed
e Depth 0…10 0 Sets the depth of LFO modulation
Src Off…Tempo Selects the modulation source of the depth
of modulation
Amt –100…+100 Sets the modulation amount of the depth of
modulation
f Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry signal
Src Off…Tempo See DMS (Dynamic Modulation Source)
Amt –100…+100 Amount of modulation source
a: LFO Shape
You can change the panning curve by modifying the LFO’s Shape.
b: LFO Phase [degree]
This determines the phase difference between the left and right LFOs. When
you gradually change the value away from 0, the sounds from the left and
right channels will seem to chase each other around. If you set the parame-
ter to +180 or –180, the sounds from each channel will cross over each other.