User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
490| Effects for the MIDI Sounds
You’ll only hear the effect of this parameter if the input is true stereo, with
different signals in the left and right channels.
L-In
Left
Center
Right
Output Stereo Image
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
L-In
R-In
LFO Phase = 0 degrees LFO Phase = 90 degrees LFO Phase = 180 degrees
Stereo Auto Pan - LFO Phase
48: St. Phaser + Trml (Stereo Phaser + Tremolo)
This effect combines a stereo phaser and tremolo, with linked LFOs. Swelling
phaser modulation and tremolo effects synchronize with each other, creat-
ing a soothing modulation effect particularly suitable for electric piano.
Phaser
Phaser
Left
Right
Resonance
LFO Type
FX Amt
FX Amt
Stereo In - Stereo Out
Phaser FX Amt
Phaser FX Amt
LFO
LFO Phase
LFO Shape
Tremolo
Tremolo
a Type Phs - Trml,
…
Phs LR - Trml LR
Selects the type of the tremolo and
phaser LFOs
Phaser - Tremolo,
Phaser - Tremolo Spin,
Phaser - Tremolo LR,
Phaser LR - Tremolo,
Phaser LR - Tremolo Spin, Phaser LR
- Tremolo LR
LFO Phase [degree] –180…+180 Sets the phase difference between
the tremolo and phaser LFOs










