User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
514| Effects for the MIDI Sounds
The “Src” parameter sets the modulation source that resets the LFO. For ex-
ample, you can assign Gate as a modulation source so that the sweep always
starts from the specified point.
“L LFO Phase” and “R LFO Phase” set the phase obtained when the left and
right LFOs are reset. In this way, you can create changes in pitch sweep for
the left and right channels individually.
The effect is off when a value of the modulation source specified in the
“Src” parameter is 63 or smaller, and the effect is on when the value is 64
or higher. The LFO is triggered and reset to the “L LFO Phase” and “R LFO
Phase” settings when the value changes from 63 or smaller to 64 or higher.
60: St. Dynamic Delay (Stereo Dynamic Delay)
This stereo delay controls the level of delay according to the input signal
level. You can use this as a ducking delay that applies delay to the sound only
when you play keys at a high velocity or only when the volume level is low.
Delay
Left
Right
Feedback
Spread
FX Amt
FX Amt
Stereo In - Stereo Out
High Damp Low Damp
High Damp
Low Damp
Threshold
Delay
FB
Out
Control Target
Attack, Release
Envelope
+
a Control Target None, Out, FB Selects from no control, output, and
feedback
Polarity +, – Reverses level control
b Threshold 0…10 0 Sets the level to which the effect is ap-
plied
Offset 0…10 0 Sets the offset of level control
c Attack 1…10 0 Sets the attack time of level control
d Release 1…10 0 Sets the release time of level control
e L Delay Time [msec] 0.0…1360.0 Sets the delay time for the left channel
f R Delay Time [msec] 0.0…1360.0 Sets the delay time for the right channel
g Feedback –100…+100 Sets the feedback amount










