User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
518| Effects for the MIDI Sounds
62: Tape Echo
This effect simulates a tape echo unit with three playback heads. The distor-
tion and tonal change typical of magnetic tape are also reproduced.
Wah Flatter
D
-mod
Tap2/3
Position
+
Tape
Saturation
Left
Right
FX Amt
Trim
PanLevel
FX Amt
FX Amt = 100: Mono In - Stereo Out / FX Amt = 0: Stereo In - Stereo Out
Feedback
Feedback Amt
High / Low DampPre Tone
Delay
(1)
(2)
(3)
Delay Time
a Delay (Tap1) [msec] 0…2700 Sets the delay time (tap1)
Src Off…Tempo Selects the modulation source of the de-
lay time
Amt –2700…
+2700
Sets the modulation amount of delay time
b Tap2 Position [%] 0…10 0 Sets the position of Tap 2 relative to the
Tap 1 delay time the depth of pitch varia-
tion
c Tap3 Position [%] 0 …10 0 Sets the position of Tap 3 relative to the
Tap 1 delay time the depth of pitch varia-
tion
d Tap1 Level 0 …10 0 Sets the Tap1 output level
Pan L, 1…99, R Sets the stereo image of tap1
FB Amt –100…+100 Sets the Tap1 feedback amount
e Tap2 Level 0…10 0 Sets the Tap2 output level
Pan L, 1…99, R Sets the stereo image of tap2
FB Amt –100…+100 Sets the Tap2 feedback amount
f Tap3 Level 0 …10 0 Sets the Tap3 output level
Pan L, 1…99, R Sets the stereo image of tap3
FB Amt –100…+100 Sets the Tap3 feedback amount
g Feedback 0…10 0 Sets the amount of feedback for Taps 1,
2, and 3
Src Off…Tempo Selects the modulation source of feed-
back amount
Amt –100…+100 Sets the feedback amount