User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Delay |519
h High Damp [%] 0 …10 0 Sets the damping amount in the high
range
Low Damp [%] 0…10 0 Sets the damping amount in the low
range
i Saturation 0…10 0 Sets the distortion amount
j Input Trim 0 …10 0 Sets the input gain
Pre Tone 0…10 0 Sets the tone of the input
k Wow Flutter [Hz] 0.02…1.00 Sets the frequency at which pitch varia-
tion will occur
Wow Flutter depth 0…10 0 Sets the depth of pitch variation
l Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry signal
Src Off…Tempo See DMS (Dynamic Modulation Source)
Amt –100…+100 Amount of modulation source
a: Delay (Tap1) [msec]
a: Src
a: Amt
b: Tap2 Position [%]
b: Tap3 Position [%]
The delay time for Tap 2 and 3 is specified as a proportion (%) relative to
“Delay (Tap1).” Even if you use dynamic modulation to control “Delay (Tap1),”
Tap 2 and 3 will change at the same proportion.
d: FB Amt
e: FB Amt
f: FB Amt
g: Feedback
The feedback output from Tap 1, 2, and 3 is mixed according to the “FB Amt,”
and then the final amount of feedback is specified by “Feedback.”