User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Delay |521
a: Rec Mode
b: Reverse Time [msec]
When “Rec Mode” is set to Single, you can set up to 2,640msec for “Reverse
Time.” If recording starts during the reverse playback, the playback will be
interrupted.
When “Rec Mode” is set to Multi, you can make another recording during
the reverse playback. However, the maximum Reverse Time is limited to
1,320msec.
If you wish to record a phrase or rhythm pattern, set “Rec Mode” to Single.
If you record only one note, set “Rec Mode” to Multi.
The “Reverse Time” parameter specifies the maximum duration of the re-
verse playback. The part in excess of this limit will not be played in reverse.
If you wish to add short pieces of the reverse playback of single notes, make
the “Reverse Time” shorter.
RecRec
Mode/Reverse Time
Input
Mode = Single
Mode = Multi
Time
Reverse Time Reverse Time
Envelope Select = Input
Reverse Reverse
c: Envelope Select
c: Src
d: Threshold
These parameters select the source to control the start and end of record-
ing.
When “Envelope Select” is set to D-mod, the input signal will be recorded
only when the value of the modulation source selected by the Src parameter
is 64 or higher.
When “Envelope Select” is set to Input, the input signal will be recorded only
when its level exceeds the Threshold level.
When recording is completed, reverse playback starts immediately.