User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
534| Effects for the MIDI Sounds
g Tap2 Level 0 …10 0 Sets the Tap2 output level
Pan L, 1…99, R Sets the stereo image of tap2
FB Amt –100…+100 Sets the Tap2 feedback amount
h Tap3 Level 0…10 0 Sets the Tap3 output level
Pan L, 1…99, R Sets the stereo image of tap3
FB Amt –100…+100 Sets the Tap3 feedback amount
i Feedback 0…10 0 Sets the amount of feedback for Taps 1, 2,
and 3
Src Off…Tempo Selects the modulation source of feedback
amount
Amt –100…+100 Sets the depth by which feedback amount
will be modulated
j High Damp [%] 0 …10 0 Sets the damping amount in the high range
Low Damp [%] 0…10 0 Sets the damping amount in the low range
k Saturation 0…10 0 Sets the distortion amount
l Input Trim 0…10 0 Sets the input gain
Pre Tone 0…10 0 Sets the tone of the input
m Wow Flutter [Hz] 0.02…1.00 Sets the frequency at which pitch variation
will occur
Wow Flutter
depth
0…10 0 Sets the depth of pitch variation
n Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry signal
Src Off…Tempo See DMS (Dynamic Modulation Source)
Amt –100…+100 Amount of modulation source
a: Tap1 Dmod Src
b: Tap1 Delay Note
b: Times
c: Tap1 Dmod Note
c: Times
If “Tap1 Dmod Src” is Off or the selected modulation is at 0, the delay time
will be the length specified by “Tap1 Delay Note” and “Times.”
If “Tap1 Dmod Src” is other than Off, the delay time will change so that it
will be as specified by “Tap1 Dmod Note” and “Times” when the maximum
modulation is reached.