User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Reverb and Early Reflections (Reverb ER) |537
d Pre LEQ Fc Low,
Mid-Low
Selects the cutoff frequency (low or mid-
low) of the low-range equalizer
Pre HEQ Fc High,
Mid-High
Selects the cutoff frequency (high or mid-
high) of the high-range equalizer
e Pre LEQ Gain [dB] –15.0…+15.0 Sets the gain of Low EQ
Pre HEQ Gain [dB] –15.0…+15.0 Sets the gain of High EQ
f Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry signal
Src Off…Tempo See DMS (Dynamic Modulation Source)
Amt –100…+100 Amount of modulation source
b: Pre Delay [msec]
b: Pre Delay Thru [%]
The “Pre Delay” sets the delay time to the reverb input, allowing you to con-
trol spaciousness.
Using the “Pre Delay Thru” parameter, you can mix the dry sound without
delay, emphasizing the attack of the sound.
Time
Reverb - Hall / Plate Type
Level
Louder
Dry
Reverb
Pre Delay Thru
Pre Delay
Reverb Time
75: Reverb Room
This room-type reverb emphasizes the early reflections that make the sound
tighter. Changing the balance between the early reflections and reverb
sound allows you to simulate nuances, such as the type of walls of a room.