User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
584| Effects for the MIDI Sounds
h [G]Polarity +, – Switches between non-invert and in-
vert of the gate on/off state
i [G]Attack 1…10 0 Sets the attack time
Release 1…10 0 Sets the release time
j Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry sig-
nal
Src Off…Tempo See DMS (Dynamic Modulation
Source)
Amt –100…+100 Amount of modulation source
f: [G]Envelope Select
f: Src
g: [G]Input Reverb Mix
g: Threshold
The “[G]Envelope Select” parameter enables you to select whether turning
the gate on and off is triggered by the input signal level or controlled directly
by the modulation source. You can select from Off to Tempo for the Src pa-
rameter to specify the modulation source.
When “[G]Envelope Select” is set to Input, the gate is controlled by the level
of signals that are the combination of the dry sound and the reverb sound.
When the signal level exceeds the threshold, the gate opens and the reverb
sound is output.
Normally, set “[G]Input Reverb Mix” to Dry (the gate is controlled only by the
dry sound). If you wish to extend the gate time, set the “[G]Input Reverb Mix”
value higher and adjust the “Threshold” value.










