User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
590| Effects for the MIDI Sounds
d Treble 0 …10 0 Sets the treble (high range) level
Presence 0 …10 0 Sets the presence (high-frequen-
cy tone)
e Post P4EQ Thru, On Selects through or on for the
equalizer
e Band1 Cutoff [Hz] 2 0…1.0 0 k Sets the center frequency of
Band 1
Q 0.5…10.0 Sets Band 1’s bandwidth
Gain [dB] –18…+18 Sets the gain of Band 1
f Band2 Cutoff [Hz] 50…5.00k Sets the center frequency of
Band 2
Q 0.5…10.0 Sets Band 2’s bandwidth
Gain [dB] –18…+18 Sets the gain of Band 2
g Band3 Cutoff [Hz] 300…10.00k Sets the center frequency of
Band 3
Q 0.5…10.0 Sets Band 3’s bandwidth
Gain [dB] –18…+18 Sets the gain of Band 3
h Band4 Cutoff [Hz] 500…20.00k Sets the center frequency of
Band 4
Q 0.5…10.0 Sets Band 4’s bandwidth
Gain [dB] –18…+18 Sets the gain of Band 4
i Wet/Dry Dry, 1:99…99:1, Wet Balance between the wet and dry
signal
Src Off…Tempo See DMS (Dynamic Modulation
Source)
Amt –100…+100 Amount of modulation source
a: Amp Type
d: Presence
If the Amp Type is VOX AC15…VOX AC30TB, this sets the attenuation of the
high-frequency range. For other types, this sets the boost of the high-fre-
quency range.
This corresponds to the Cut knob control of amps made by the VOX Corpora-
tion.
e: Post P4EQ
By chaining this with 19: St.Guitar Cabinet you can simulate the combination
of a guitar amp and speaker cabinet. In this case, we recommend that you