User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Double Size |603
h Wet/Dry Dry,
1:99…99:1,
Wet
Balance between the wet and dry sig-
nal
Src Of f…Tempo See DMS (Dynamic Modulation
Source)
Amt –100…+100 Amount of modulation source
121: St/Cross Long Delay (Stereo/Cross Long Delay)
This is a stereo delay, and can by used as a cross-feedback delay effect in
which the delay sounds cross over between left and right by changing the
feedback routing. You can set a maximum of 2,730msec for the delay time.
Delay
Delay
Stereo/Cross
Left
Right
Feedback
FX Amt
FX Amt
Stereo In - Stereo Out
Input Level D-mod
Input Level D-mod
High DampLow Damp
High Damp
Low Damp
Spread
Stereo/Cross
a Stereo/Cross Stereo, Cross Switches between stereo delay and
cross-feedback delay
b L Delay Time [msec] 0.0…2730.0 Sets the delay time for the left channel
c R Delay Time [msec] 0.0…2730.0 Sets the delay time for the right channel
d L Feedback –100…+100 Sets the feedback amount for the left
channel
Src Off…Tempo Selects the modulation source of feed-
back amount
Amt –100…+100 Sets the modulation amount of the left
channel feedback
e R Feedback –100…+100 Sets the feedback amount for the right
channel
Amt –100…+100 Sets the modulation amount of the right
channel feedback
f High Damp [%] 0…10 0 Sets the damping amount in the high
range
g Low Damp [%] 0…10 0 Sets the damping amount in the low
range