User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
606| Effects for the MIDI Sounds
b: Loop BPM Sync
c: BPM
d: Loop Base Note
d: Times
If “Loop BPM Sync” is on, the “Times” setting is ignored; the loop time is
determined by “BPM,” “Loop Base Note,” and “Times.” Even in this case, the
delay time cannot exceed 10,800 msec.
“Hold” procedure (when Loop Time = Auto)
1 “Rec Src”JS +Y: #01
“Reset Src”JS –Y: #02
“Manual REC Control”REC Off
“Manual RST Control”RESET
“Loop Time [msec]”Auto
“MIDI/Tempo Sync”Off
It should be noted that all recordings will be deleted while Reset is On.
2 “Manual RST Control”Off
Reset is cancelled and the unit enters Rec ready mode.
3 Push the joystick in the +Y direction (forward) and play a phrase you wish to
hold. When you pull the joystick to its original position, the recording will be
finished and the phrase you just played will be held.
Loop Time is automatically set only for the first recording after resetting.
If the time length exceeds 10,800msec, Loop Time will be automatically
set to 10,800msec. (If you have set “Times” to 1–10,800msec, the specified
loop time will be used regardless of the time taken from pushing the joystick
forward until it is pulled back. However, the recording method remains the
same. The phrase being played while the joystick is pushed forward will be
held.)
4 If you made a mistake during recording, pull the joystick in the –Y direction
(back) to reset. In this way, the recording will be erased. Repeat step 4. again.
5 The recorded phrase will be repeated again and again. You can use this to
create an accompaniment.
6 By pushing the joystick in the +Y direction (forward), you can also overdub
performances over the phrase that is being held.