User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
612| Effects for the MIDI Sounds
125: Early Reflections
This early reflection effect has more precise early reflections with twice the
maximum length of a normal-size effect (Early Reflections). You can create a
very smooth and dense sound.
Left
Right
FX Amt
FX Amt
FX Amt = 100: Mono In - Stereo Out / FX Amt = 0: Stereo In - Stereo Out
EQ Trim
+
EQ Trim
Pre Delay
Early Reflections
LEQ HEQ
a Type Sharp, Loose,
Modulated,
Reverse
Selects the decay curve for the early
reection
b ER Time [msec] 10…16 0 0 Sets the time length of early reection
c Pre Delay [msec] 0…200 Sets the time taken from the original
sound to the rst early reection
d EQ Trim 0…10 0 Sets the input level of EQ applied to the
effect sound
e Pre LEQ Fc Low,
Mid-Low
Selects the cutoff frequency (low or
mid-low) of the low-range equalizer
Pre HEQ Fc High,
Mid-High
Selects the cutoff frequency (high or
mid-high) of the high-range equalizer
f Pre LEQ Gain [dB] –15.0…+15.0 Sets the gain of Low EQ
Pre HEQ Gain [dB] –15.0…+15.0 Sets the gain of High EQ
g Wet/Dry Dry, 1:99…99:1,
Wet
Balance between the wet and dry sig-
nal
Src Off…Tempo See DMS (Dynamic Modulation
Source)
Amt –100…+100 Amount of modulation source