User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Master EQ |617
EQ Par. Meaning Value
Low Mid-
Low
Mid-
High
High
Q ‘Quality’ of the EQ lter; higher val-
ues correspond to narrower, more
accurate lters. Use higher values
for near-surgical correction on iso-
lated frequencies, lower values for
more musical, softer equalization.
0. 5…10
Freq Center frequency of the correspond-
ing band. Center it on the problem-
atic frequency, or the harmonics you
want to emphasize or attenuate.
20Hz…
1kHz
50Hz…
10kHz
300Hz…
10kHz
500Hz…
20kHz
Gain Gain of the corresponding band.
Use it to make the frequencies stron-
ger or weaker.
-18…0…+18dB
Checking the EQ effect
You can use the diagram to check the EQ curve, and the level of the audio
entering and coming out of the Master EQ.
▪ If the input level is too high, decrease the level of the Input Trim parameter.
▪ If the output level is too high, decrease the level of the Gain controls.
▪ Keep in mind that boosting the Gain is not always the best way of making
your sound appear louder; cutting the Gain of some band may make the
other bands appear louder.