User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
628| Auto selection and locking
Locking the Control parameters
1 Go to the Global > General Controls > Lock > Control page.
2 Select/deselect the desired locks.
Control lock Meaning
Upper 1 FXs When choosing the Upper 1 Sound, the FX settings contained
in the Sound or those contained in the Performance/STS can be
selected.
• If this lock is closed, Performance/STS FX parameters are left
untouched when choosing an Upper 1 Sound.
• If this lock is open, FX parameters are changed when choosing
an Upper 1 Sound.
Please note that if the effects associated to the selected Sound
are not compatible with the effects already assigned to the FX B
block, the Master FX Send values on the other Keyboard Sounds
will be automatically set to zero.
For example, assume a chorus effect is assigned to the Master 2
FX processor. If the new Sound assigns a distortion effect to the
Master 2 FX processor, the Master 2 FX Send value on the Upper
2, Upper 3, and Lower Sounds will be set to zero, to avoid these
Sounds to sound odd. This way, the Upper 1 Sound (usually the
most important one for solo playing) will sound with the needed
effects, while the other Keyboard Sounds will just sound dry.
Lower When this lock is closed, the Lower Sound remains unchanged
when a different Style, Performance or STS is selected.
This is useful if, for example, you prefer to only play chords with
the left hand, while leaving the Sound in mute.
Keyboard
Mode (Split)/
Accompaniment
When this lock is closed, the status of the SPLIT button (there-
fore of the keyboard mode) remains unchanged when a different
Performance or STS is selected.
This is useful if, for example, you prefer to always play in Full
Keyboard mode, with chords recognized on the full keyboard
range.