User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
654| Scale
Scales list
Scale Description
Equal Equal tuning, the standard scale for modern Western music. It is
made of 12 identical semitones.
Pure Major Major chords in the selected key are perfectly tuned.
Pure Minor Minor chords in the selected key are perfected tuned.
Arabic An arabic scale, using quarters of tone. Set the Key parameter as
follows:
C - for the “rast C/bayati D” scale
D - for the “rast D/bayati E” scale
F - for the “rast F/bayati G” scale
G - for the “rast G/bayati A” scale
A# - for the “rast Bb/bayati C” scale
Pythagorean Pythagorean scale, based on the music theories of the great Greek
philosopher and mathematician. It is most suitable for melodies.
Werckmeister Late Baroque/Classic Age scale. Very suitable for XVIII Century mu-
sic.
Kirnberger Harpsichord scale, very common during the XVIII Century.
Slendro Scale of the Indonesian Gamelan. The octave is divided in 5 notes
(C, D, F, G, A). The remaining notes are tuned as in the Equal tuning.
Pelog Scale of the Indonesian Gamelan. The octave is divided in 7 notes
(all white keys, when Key is = C). The black keys are tuned as in the
Equal tuning.
Stretch Simulates the “stretched” tuning of an acoustic piano. Basically an
equal tuning, the lowest notes are slightly lower, while the highest
notes are slightly higher than the standard.
User User scale, i.e. scale programmed by the user for the Style Play,
Backing Sequence and Song Play modes. The User scale can be
saved to a Performance, Style Settings, STS or Song. You can’t se-
lect a User scale in the Global.










