User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
662| Scale
Deactivate the Quarter Tone sub-scale
▪ Touch the Quarter Tone button to make it appear deselected. The SC Preset
buttons will disappear. The main scale will be in use again.
Activating the Quarter Tone function by using a footswitch
To make realtime changes faster, you can assign the Quarter Tone function
to a footswitch. This will allow for those sudden scale changes typical of the
Middle East/Arabic music.
Since these changes are not saved anywhere, the scale is easily ‘wiped-
out’ when selecting a different Performance or STS, or when pressing the
Quarter Tone pedal again.
1 Program the footswitch to be the Quarter Tone switch.
Go to the Global > Controllers > Foot Controllers page, and assign the
Quarter Tone function to the Pedal/Footswitch parameter.
2 Lower some note pitches.
Keep the Quarter Tone pedal pressed. The keyboard will not play at this time.
Press the notes whose pitch you want to lower. Release the pedal.
The black dots will appear in the keyboard diagram of the Mixer/Tuning >
Sub-Scale page.
3 Play with your new scale. The pitch of the notes you pressed are now low-
ered.
4 Reset the original scale.
Press and release the Quarter Tone pedal again, without playing any note.
All pitches will be reset, and the original scale will be recalled.
Choosing an SC Preset by using a footswitch
You can also select an SC Preset by assigning the relevant function to the
footswitch.
1 Go to the Global > Controllers > Foot Controllers page.
2 Use the Function parameter to assign one of the SubScale Preset functions
to the footswitch.