User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
Playing a Style |67
Automatically play a Fill, then a Variation
▪ Press one of the VARIATION buttons. The Fill with the same number of the
previous Variation will be automatically selected. For example, if you are go-
ing from Variation 2 to Variation 3, Fill 2 will be automatically selected.
Turn the Autofill function off
▪ When you no longer need this function, press the AUTOFILL button again to
turn the indicator off.
Choosing a Break
A break introduces a short pause in your song, creating a suspension and a
sense of surprise.
Style Element Suggested use
Break One-measure break
▪ When the Variation is nearing its end, press the BREAK button to play a
short musical break.
Choosing an Ending
To choose the right Ending for your song, please note that Ending 1 plays
a sequence with a prerecorded chord sequence and a prerecorded melody,
while Ending 2 plays on the chord recognized on the keyboard. Contrary to
the others (starting at the end of the Variation), Ending 3 starts immediately,
without waiting for the Variation to finish, and is just two measures long.
Style Element Suggested use
Ending 1 Ending with prerecorded chord sequence and prerecorded melody.
Starts at the end of the Variation.
Ending 2 Ending with the chord recognized on the keyboard. Starts at the end
of the Variation.
Ending 3 Two-measure Ending, starting immediately, without waiting for the
Variation to end.
▪ While the Variation is playing, press one of the ENDING buttons on the con-
trol panel to ‘book’ one of the Ending sections.
At the end of the Ending, the Style will automatically stop.
While the Accompaniment will be playing, you will see how many measures
will remain before the end of the Ending (‘L’ parameter).










