User Manual
Table Of Contents
- Let’s start!
- Playing and singing
- The SongBook
- Customizing and editing the Sound sets
- Customizing, recording and editing the Styles
- Customizing, recording and editing the Songs
- Customizing and editing the Sounds
- Listening and customizing the Sounds
- Editing the Sounds
- Setting the Sound’s basic parameters
- Setting the oscillator’s basic parameters
- Programming the Damper pedal
- Equalizing the Sound
- Setting the Drum Kit’s basic parameters
- Equalizing the Drum Kit
- Mixing and retriggering the drum samples
- Modulating pitch
- Programming the pitch envelope (Pitch EG)
- Programming the filters
- Modulating the filters
- Programming the filter envelope (Filter EG)
- Programming amplitude and pan
- Modulating amplitude
- Programming the amplitude envelope (Amp EG)
- Programming the LFO
- Adding effects to the Sound
- Sound Edit utilities
- AMS (Alternate Modulation Sources)
- Writing the Sounds
- Managing the User Samples
- The Effects
- Effects for the MIDI Sounds
- Adapting reverb to the room size
- Effects list
- DMS (Dynamic Modulation Sources)
- Dynamics (Dynamic)
- EQ and Filters (EQ/Filter)
- Overdrive, Amp models, and Mic models (OD Amp Mic)
- Chorus, Flanger, and Phaser (Cho/Fln Phaser)
- Modulation and Pitch Shift (Mod./P.Shift)
- Delay
- Reverb and Early Reflections (Reverb ER)
- Mono-Mono Serial (Mono-Mono)
- Double Size
- Limiter, Master EQ
- Effects for the MIDI Sounds
- Global settings, Preferences
- MIDI Connections
- MIDI
- Introduction to MIDI
- Quick settings using MIDI Presets
- MIDI communication settings
- Synchronizing Tempo with other instruments
- Programming the MIDI channels
- Installing the KORG USB MIDI Driver
- Connecting HAVIAN 30 to a personal computer or tablet
- Control Change messages
- Controlling the Styles and Player via MIDI
- MIDI
- File management
- Managing files
- Overview on file management
- Loading musical resources and settings
- Saving musical resources and settings
- Copying files and folders
- Deleting files and folders
- Selecting more items at once
- Formatting storage devices
- Backing up and restoring musical resources
- Connecting the internal drive to a personal computer
- Storage device management
- Exporting playlists
- Care of storage devices
- Managing files
- Appendix
68| Playing the Styles
Looping sections
If you feel that an Intro or an Ending should last longer than the recorded
pattern, you can put it in a cycling loop.
Set a Style Element to loop
▪ Press twice the button of the Intro or Ending to put in loop.
The indicator on the button will start flashing, and the pattern will start re-
peating.
Exit from the loop
Do one of the following:
▪ Press the same Style Element button again, or
▪ Select a different Style Element.
Keep a Style Element in loop while its button is pressed
▪ Keep an Intro or Ending button pressed to loop it. Release it when you want
the Intro or Ending to exit from the loop.
▪ Keep a Variation button pressed to loop the corresponding Fill. Release it
when you want the Fill to exit from the loop, and the Variation to start play-
ing.
Balancing the Accompaniment against the keyboard
While playing, you may want to balance the Keyboard Sounds against the
Accompaniment Sounds, to make the soloist stand out of the background or
go back in the mix.
Balance the Accompaniment against the Keyboard Sounds
▪ While the Accompaniment is playing, use the BALANCE knob to balance be-
tween the Accompaniment (ACC) and the Keyboard (KBD) Sounds.










