Upgrade Guide E 1
Table of Contents Introduction .................................................................................................1 About this manual............................................................................................................................... 1 Printing conventions in this manual................................................................................................. 1 Major new functions ................................................................................
Introduction About this manual This manual explains the new functions and improvements that have been added to the D16 in Version 2. Since the explanations are given in order of the contents of the “D16 Owner’s Manual,” you will need to read this manual in conjunction with the “D16 Owner’s Manual.” Printing conventions in this manual This manual uses the same conventions described on p.2 “Printing conventions in this manual” of the “D16 Owner’s Manual.” Other conventions are as follows. (→D16 p.
Main changes from the D16 Tempo map creation (specification change) When you create a tempo map in the [TEMPO/ RHYTHM] “TmpMap” tab page, you can now specify the beginning and end measures of the tempo map, making it easier to manage the tempo map by measures. An “Insert” button has also been added, making it easier to edit a previously-created tempo map. [STOP] + [FF] (specification change) By holding down the [STOP] key and pressing the [FF] key, you can easily select the end of the song.
Basic operation p.14 p.36– In “2. Naming a song,” step 3 has been changed as follows. Fade Track and Normalize Track commands have been added to “Track editing.” Fade-in/Fade-out: Fade Track 2. Naming a song 3 Change the name of the song. Use the “ ” “ ” buttons to move the cursor to the location of the character that you wish to change, and rotate the [VALUE] dial to modify the song name. This command creates a fade-in or fade-out in the selected region (IN–OUT) of the recorded track data.
p.40– Change the “Tempo map” explanation in “Setting the tempo.” Tempo map Tempo Map switches the tempo, time signature, and rhythm pattern at the specified measure. 1 Specify Tempo Map as the tempo source. • Select the [TEMPO/RHYTHM] “SetUp” tab page. • Press the “Rhythm” button to turn rhythm on. • Press “TempoSource,” and use the [VALUE] dial to select “TempoMap.” 3 Add a tempo map at any point in the song where you want to change the tempo, time signature, or rhythm pattern.
Reference 1. GlobalCh (Global Channel) ......................... [01...16] Specifies the global MIDI channel. 2. SYSTEM This setting is required in the following cases. • If you wish to control the effect by setting “Device” (P1-3) to a MIDI message other than “Pedal.” • If you wish to transmit/receive program change messages to select scenes. p.45 The symbol indicating foot switch polarity has been changed to “ ”.
1. Select MMC Mode .................[Transmit, Receive, Off] Select the MMC mode. 2 1 1. Select MIDISync Mode ............................................. [MTC Mstr, MTC Slave, Clock Mstr, Off] Select the synchronization messages that will be transmitted and received from the MIDI IN/OUT connectors. MTC Mstr: The D16V2 will function as the master device for MTC 30 NDF (MIDI time code 30 non-drop frame) messages.
On the MTC slave D16V2, you must make sure that the [AUTOPUNCH] “AtPunch” tab page “AutoPunch” parameter and the [LOOP] “Loop” tab page “Loop” parameter are both turned “Off.” p.49– D8 backup data can now be restored into the D16V2. 3. Format Type........................................... (P, B, D8[B]) This displays the format type of the drive. The internal drive of the D16V2, or an external drive connected to the D16V2 and initialized or formatted, will be displayed as a playable drive.
IN OUT Fade-in procedure DestTrack As an example, here’s how to fade-in the IN–OUT region of track 1. DestTrack 1 Select the IN and OUT locations. Select/assign the fade-in start and locations. (→D16 p.70) p.56– 2 Select the Fade Track edit type. In the [TRACK] “EditTrk” tab page, set “EditType” to “FadeTrack.” Fade Track and Normalize Track have been added as edit types.
The time required by this editing operation (i.e., before the “Completed” display appears) will take proportionally longer as the specified range (IN–OUT) is longer. EditType: “NormalizeTrack” This command searches for the peak level of audio data that was recorded at an unintentionally low level, and boosts the entire region of audio data so that this peak level will be the maximum level. When this command is executed (“Exec.”), the normalize destination track will be overwritten. 7 6 1 p.
2a. Prvw ................................................................ You can preview the first two seconds of the selected WAV file. If you select a WAV file of an unsupported format, one of the following error messages will appear. SAMPLE RATE NOT 44.1k: This will appear if the sampling frequency of the WAV file is other than 44.1 kHz. SAMPLE BIT NOT FIT: This will appear if the quantization of the WAV file is other than 8 bit, 16 bit, or 24 bit.
6 Specify the TO time location. (→D16 p.70) 7 Select Copy. In the [TRACK] “EditTrk” tab page, set “EditType” to “Copy Track.” 8 Select the clipboard as the copy source track number. For “SourceTrack,” select “Clip 1.” The number indicates the number of tracks in the clipboard. 3. Rename .................................................................. Press the “Rename” button to access the dialog box, and specify a name for the WAV file. Up to eight characters can be used in the WAV file name. 4. Exec.
Exporting to a WAV file 5. SONG Here’s how the IN–OUT range of tracks 1 and 2 from song 001 can be exported to a SCSI-connected DOS format external drive “A:DOS” as a stereo WAV file named “Sound001.wav.” 1 Select song 001. 2 Assign the IN and OUT time locations. (→D16 p.70) 3 Select Copy. In the [TRACK] “EditTrk” tab page, set “EditType” to “CopyTrack.” 4 Select the copy source track number. Set “SourceTrack” to tracks “1-2.” 5 Select the clipboard as the copy destination track number.
1. SceneRead ................................................ [On, Off] This turns scene playback on/off. On: Scenes will be played back. The mixer settings will change automatically when playback reaches the time location at which a scene was registered. When “On,” the [SCENE] key will light. Off: Scenes will not be played back. In this case, scenes can be freely recalled as general-purpose settings whenever you wish. (→D16 p.66 “Recalling a scene”) 2. Filter ...............................................
recalled even after storing the scene. If the filter is enabled, you can disable recall of scene data even after storing the scene. 9. Recall ..................................................................... This recalls the settings that were stored in a scene. If you recall a scene, edit the EQ etc., and then press the “Recall” button to recall once again, the unedited settings (the mixer settings that were registered in the scene) will be recalled. 10. OvrWrt..........................................
2f. Insert.................................................... [On, Off] On: The new tempo map will be created in Insert mode, inserting the tempo map. P2 TmpMap: Tempo map editing By specifying tempo maps you can change the tempo, time signature, and rhythm pattern while recording or playing a song. Changes in tempo, time signature, and rhythm can be placed only at the beginning of each measure. For details on creating a tempo map, refer to p.4.
■ When “Assign” is set to “Trk” Specifies the channel into which the effect will be inserted: → (effect) → (return=inserted channel). Refer to the D16 Owner’s Manual for details on 1–4. 5. Level................................ [99 Level, 8 Level, 1 Level] Specifies the undo level. The data will be saved for the specified number of previously-executed operations. You can select the undo level from 99, 8, or 1 operations. 3a. SelectCh .......................................... [1...
26. TRANSPORT KEY p.87 Part of the operation of the [FF] and [REW] keys has been changed. These keys perform recorder operations such as playback and recording. 5 4 6 3 2 1 Refer to the D16 Owner’s Manual for details on 4–6. 1. [FF] key When stopped or playing, this key moves forward in time (fast-forward). If you hold down the [STOP] key and press the [FF] key, you will move to the end of the current song. If you are already at the end of the song, you will move to the beginning of the next song.
Regarding disk capacity This section explains how the D16V2 manages disk capacity. For explanatory purposes, we will assume that you have recorded a song with the following structure. It is not necessary that the Optimize Track operation explained here be used frequently. It is sufficient to use it only if “Disk Busy” is displayed when you are actually editing, or if you wish to recover more disk free space after you have finished the song.
Example 3 Suppose that you recorded A and B on track 1 as the first take. Then you overwrote the Intro, A’, B’, and Solo as take 2. A B Take 1 Take 1 Intro A' B' Solo Take 2 In this case, the take 1 data for A and B will remain underlying A’ and B’ of track 1. However once take 2 is finished, the audio data of take 1 will not be used at all, so it is not necessary to perform the Optimize operation etc.
4 Begin recording. Press the [PLAY] key of the D16V2 to begin playback, and the external MIDI sequencer will begin recording in synchronization. At this time, adjusting the D16V2 mixer parameters (fader, pan, EQ, etc.) will cause the corresponding control change to be transmitted from the D16V2, and recorded on the external MIDI sequencer. 5 Stop the D16V2. When you press the [STOP] key of the D16V2 to stop playback, recording will also stop on the external MIDI sequencer.
[ Digital Recording Studio ] Model D16V2 MIDI Implementation Chart Date : 2000. 6.
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