Thank you for purchasing the Korg Digital Recording Studio D8 . In order to enjoy many years of trouble-free use, please read this manual carefully and use the unit correctly.
About this owner’s manual This owner’s manual is organized as follows. Chapter 1 Introduction This chapter explains the main features of the D8, its front and rear panel, and basic operation. Chapter 2 Operation This chapter explains various methods of recording and playback, and the procedures for mixdown and editing. Chapter 3 Reference This chapter explains the parameters which appear in the display when you press each of the D8’s keys, and the operation of the keys and faders.
STEP5 Moving and storing time locations .......... 22 1. 2. 3. 4. Moving the current time............................................ 22 Finding a precise time location................................. 23 Locate points (LOC1, LOC2, LOC3) ........................ 23 Mark points ................................................................. 24 STEP6 Adjusting and storing mixer settings ..... 25 1. 2. 3. 4. 5. Pairing settings ...........................................................
Chapter 2 Operation Operation Chapter 2 This chapter explains the operation of each of the D8’s functions, in logical order.
Connections, STEP1 Power-on, Demo 5 Here’s how to connect the D8 to your audio system, and listen to the demo songs. 6 1. Connections to your audio system etc. 1 2 3 4 7 8 The following diagram shows a basic example of a D8 recording system. Modify the connections shown below as needed for your particular setup, and connect your equipment to the D8. Be sure to turn off the power before making connections. Failure to do so can damage your speaker system or cause malfunctions.
1 Turn on the power of the connected devices. Set the volume of all devices to the minimum position, and turn on the power switches starting with the first device in the signal chain. If external drives are connected, refer to p.40. 2 Turn down the D8’s master fader. Set the volume controls of all connected devices to the minimum position. When shipped from the factory, the D8 contains pre-recorded demo songs. Playback to the demo songs to experience the dynamic and clear sound of the D8.
3 Creating and STEP2 selecting songs To record a new song, you must first create a new song. This section explains how to create and name a song, and how to select songs in EDIT SONG/TRACK P1 . 1 KORG1 After selecting the last-numbered song, hold down the [STOP] key and press the [FF] key. The display will indicate “NoDATA”. STOP œ YES 4 1.
Recording STEP3 (ANALOG) (indicator lit red), to choose them as the recording tracks. This section explains the various methods of recording that are available on the D8. Use the recording method that is appropriate for your needs. 5 Set the [CHANNEL] fader to the unity gain position (the “ ” symbol in the fader calibrations). 6 Normally you will record rhythm instruments such as drums first, and then listen to these instruments playback as you record bass, guitar and vocals.
14 When playback ends, press the [STOP] key to stop playback (the [PLAY] indicator is off). back) 6 Refer to “1. Recording (analog recording), ■ Listening to the recorded performance (Playback)”, and listen to the playback. 2. Recording (digital recording) Here’s how to record digitally from an instrument which has a digital output or from an external digital device such as a CD or DAT player.
back with the [TRACK STATUS] left at REC, you will be able to audition the sound just as it was actually recorded. If you set the [TRACK STATUS] to PLAY and playback without changing the EQ settings the EQ will be applied double, so remember to set the EQ value back to 0. DISTORT:o˙ EDIT 7 Rotate the [VALUE] dial to specify whether the effect you selected in step 6 will be used “o” (on) or not “-” (off). 8 Press the [ ] key to select the effect parameter that you wish to edit.
When you execute the Save operation, the effect program that previously occupied that memory will be overwritten and lost. ■ Starting and stopping recording 15 Press the [REC] key, and then press the [PLAY] key to begin recording. Press the [STOP] key to stop recording. (Refer to ■ “Starting and stopping recording”, p.11) ■ Listening to the recorded performance (Playback) 16 Move the current time to a location earlier than the point at which you began recording.
5 :000 EFFECT SEND In addition to the effect that was discussed in “4. Applying an effect to the input sound as you record” and “5. Applying an effect to the input sound and recording only the input sound”, the D8 provides a “monitor delay” that can be applied only to the input sound. When you are recording vocals or guitar, applying this delay will give the sound a sense of spaciousness. This delay will not be recorded.
7. Listening to recorded tracks while you record another track (Overdubbing) 8. Manually re-recording part of the performance (Manual Punch In/Out) If you made a mistake during the performance that you recorded, or if you were not able to play the entire song as you had intended, there is no need to re-record the entire song — you can re-record just the part that you need. The process of recording additional tracks while you listen to previously recorded tracks is called “overdubbing”.
7 When you wish to stop recording, you can either press the [REC] key once again or press the [PLAY] key to change from recording back to playback. (Manual Punch Out) The [TRACK STATUS] indicator will blink, the [REC] indicator will go off, and you will hear the track sound once again. ■ Redo ✧ After executing the Undo function, the display will show a “ ” symbol. Press the [UNDO] key to execute Redo, and the data will return to the state prior to using Undo.
■ Connecting the input device and adjusting the level 5 10 Press the [REC MODE] key several REHEARSAL times to select AUTO PUNCH + AUTO PUNCH REHEARSAL (both indicators lit). REC MODE When AUTO PUNCH + REHEARSAL is selected, initiating recording will cause the input monitor etc. to function in the same way as if recording were actually being performed. This allows you to rehearse the recording.
recorded, without passing through the fader or EQ. and 8, rotate the [PAN] knobs of tracks 1–5 to place each track at the desired stereo location. Track Track Track Track Track 1 2 3 4 5 Chapter 2 The performance of multiple tracks can be combined into one or two tracks, freeing the original tracks for additional recording. This operation is called “track bouncing” or “ping pong recording”. This can be used when you wish to record more than 8 tracks, etc.
■ Adjusting the playback level and recording level ■ Listening to the recorded performance (Playback) 4 Press the [PLAY] key to begin playback. 12 5 Raise [CHANNEL] faders 1–5 to adjust the playback level of each track. (Refer to p.27) 6 Raise the [MASTER] fader to adjust the recording level to track 6. The master level meter R will show the recording level to track 6.
■ Setting the tempo and time signature The sound of the metronome will not be recorded. The metronome sound will be output together with the master audio output from the OUTPUT L·R jacks. 0:120|4/4œ Press the [METRONOME] key to turn the metronome ON (indicator lit). When you record or playback, the metronome will sound. (Refer to “■ Sounding the metronome during playback and recording”) TEMPO E 7 Rotate the [VALUE] dial to select 0 at the left edge.
12. Trigger recording STEP4 You can use the input sound as a trigger that will start recording. The D8 will begin recording at the moment that sound is input. ■ Connecting the input device and adjusting the level 1 As explained in “■ Connecting the input device and adjusting the level” (p.11, p.12), specify the track to be recorded. ■ Preparations for trigger recording 2 E 3 Move to the time location where you wish to begin recording.
3. Applying an effect to the playback sound 4. Applying an external effect to the playback sound 1 ■ Selecting the tracks for playback Press the [TRACK STATUS] key to select PLAY (indicator lit green).
Moving and storing STEP5 time locations 5. Program playback of songs You can enable two or more songs to playback in a specified order. This can be used to playback a medley of songs, or when you wish to record consecutive mixdowns of songs to DAT or MD. Program Play can be performed even across multiple drives. As an example, we will explain how to playback songs in the order of song number I (internal drive) 01→I02→A (SCSI ID 0) 05.
If you wish to find the exact time location at which a sound begins, or when setting locate points or storing marks, you can use the Scrub function or the Play From/Play To functions to find and select time locations more accurately. You can store a specific time location, and then move instantly to that location at any time. For each song, you can store three “Locate” points, and also one hundred “Mark” points.
■ Deleting a Mark point 4. Mark points 1 You can store a desired time location and move instantly to that time. Up to one hundred Mark points can be stored in each song. Press the [EDIT] key, and then press the [SYSTEM] key several times to access the “Mark” display. Mark ˙ EDIT SYSTEM E ■ Storing a Mark point 2 Here’s how to use the Mark function to store the current time. A time location that has been stored in this way is called a “Mark point”. 1 Move the current time to the desired location.
For the [PAN] knobs, “Snd”, “Aux” and “EQ”, you can specify whether or not pairing will be enabled for each parameter. This setting is common to the entire song. 1 Press the [EDIT] key, and then press the [SYSTEM] key several times (the indicator will light) to access the “ChPairSw” display. ChPairSw ˙ SYSTEM E 1. Pairing settings You can group the settings of adjacent odd/even mixer channels (1-2, 3-4, 5-6), so that changes made to the values of one channel will be reflected by both channels.
■ Adjusting the Low EQ 3. Adjusting the stereo location The low EQ lets you cut/boost the 100 Hz frequency range over a range of -15–+15 dB. 1 You can adjust the stereo location of the sound of each channel. Normally, vocals and bass etc. are placed in the middle, guitar at either left or right, and piano at the opposite side from the guitar. ✧ Rotate the [PAN] knob or [BALANCE] knob to adjust the stereo location of each channel.
■ Switching scenes during a song 6. Scene Scenes that have been stored can switch automatically as playback progresses. Mixer settings can be stored as a “scene”, and scenes can be recalled automatically as playback progresses, or recalled whenever desired as general-purpose mixer setups. Up to 20 scenes can be stored in each song. 1 Refer to “■ Storing a scene”, and register a scene at the desired times in the song. 2 Press the [SCENE] key to select Scene Read ON (indicator lit).
Mixdown STEP7 A song that you have completed by recording tracks and mixing can be recorded on an external two-channel recorder such as a cassette tape recorder, DAT recorder or MD recorder. This process is referred to as “mixdown”. 1. Recording a master tape (Mixdown) ■ Listening to the completed song 1 Use the [CHANNEL] faders to adjust the volume level of each channel. 2 Use the [PAN] knobs and [BALANCE] knobs to adjust the stereo location of each track.
This section explains the editing operations (copy, insert blank, delete, exchange etc.) that can be performed on tracks. 2. Copying track data (Track Copy) This operation copies a portion (IN–OUT) of a recorded track to another location (TO). You can copy data from a single track or from multiple tracks simultaneously. You can also copy the data more than one time. By using the clipboard, you can copy data to another song. 1.
8 Move to the TO location, and playback to check that the copy was performed correctly. If the data was copied to the wrong location, press the [UNDO] key to return the data to the previous condition, and then perform the copy operation once again. Example: Copying the IN–OUT area of track 1 to the TO location of track 2 three times in the same song Source track (copy source) 1 Destination track (copy destination) A 2 3 IN B 4 5 3 3 1 As described in “1.
■ Inserting a blank space into the IN–OUT area of a track This operation erases data from a specified area (IN–OUT) of a recorded track. Single tracks or multiple tracks can be erased simultaneously. The erased area will be blank, and even if recorded data exists following the erased area, it will not be moved forward. ■ Erasing data from the IN–OUT area of a track As an example, we will show how to erase the IN– OUT area of track 1. 1 As described in “1.
5. Deleting data from a track (Delete Track) 6. Exchanging data between tracks (Swap Track) This operation deletes data from a specified area (IN–OUT) of a recorded track. Data can be deleted from single tracks or multiple tracks simultaneously. If recorded data exists following the deleted area, it will be moved forward to fill the gap left by the deleted IN–OUT area. This operation exchanges data between tracks in the specified area (IN–OUT).
This section explains song-related editing operations (copy, delete, move). 2 Press the [EDIT] key, and then press the [SONG/ TRACK] key several times to access the “EditSong” display. 3 Press the [ ] key, and then press the [SONG/ TRACK] key several times to select “Del”. Displayed next to it will be the drive number and the song number, so verify these. (In the example display shown below, I04 indicates song number 4 of the internal drive.) 1.
Tempo settings The tempo of D8 songs can be set using Tempo Maps, MIDI Clock, or Tap Tempo. In addition to managing the tempo, these settings will also control the tempo when external MIDI devices are synchronized to the D8. This section explains how to adjust these tempo settings. About the metronome patterns By specifying a different metronome pattern for each tempo map, you can create a rhythm track with a variety of patterns. using just the D8’s metronome.
4 Press the [EDIT] key, and then press the [TEMPO] key several times to make the display read “TempoRec”. 4 Press the [EDIT] key, and then press the [TEMPO] key several times to make the display read “TempoRec”. TempoRec ˙ TempoRec ˙ EDIT EDIT TEMPO TEMPO E E Press the [ ] key, and then rotate the [VALUE] dial to select MeasTap (record taps at the beginning of each measure) as the tempo source for recording.
3 Synchronization STEP11 and control with a MIDI sequencer Gen:Clockœ This section explains how a MIDI sequencer can be synchronized to the D8, and how recording and playback on the D8 can be controlled from a MIDI sequencer. “Synchronization” refers to a condition in which a D8 and a MIDI sequencer or rhythm machine etc. can be operated at the same timing.
To do this, your MIDI sequencer must support MMC. If your MIDI sequencer does not support MMC, this type of control will not be available. 1 Use a MIDI cable to connect the D8’s MIDI IN connector to the MIDI OUT connector of the MIDI sequencer. 2 Make settings on the MIDI sequencer so that it will transmit MMC to control an external device. (Refer to the owner’s manual for your MIDI sequencer.) 3 Press the [EDIT] key, and then press the [SYSTEM] key several times to make the display read “MIDI/ Sync”.
1 2. Turning the power on/ off when an external drive is connected Press the [EDIT] key, and then press the [SYSTEM] key several times to make the display read “DiskUtil”. DiskUtil ˙ EDIT SYSTEM E ■ Turning the power on 2 ✧ Turn on the power of the external drive(s), and then turn on the power of the D8. Initial ■ Turning the power off ✧ When turning the power off, first turn off the power of the D8, and then turn off the power of the external drives.
■ Exchanging disks on a removable disk drive which is not currently selected ■ Backing up a song to a removable disk drive 1 A01:SngNa˙ EDIT 2 Press the [ ] key, and then rotate the [VALUE] dial to select the drive which contains the song that you wish to backup. If you are backing up an individual song, press the [ ] key and then rotate the [VALUE] dial to select the song number as well. 3 Press the [SYSTEM] key several times to make the display read “DiskUtil”.
9 If the backup extends across multiple disks, the first disk will be ejected when it is full, and the display will indicate “InsNextDsk”, asking you to insert the second disk. Remove the first disk and insert the second, and the operation will continue. 5 If you are restoring only one song, rotate the [VALUE] dial to select the restore destination drive (A–G). Then press the [ ] key, and rotate the [VALUE] dial to select the restore destination song number.
Backup This section explains how song data can be backed up to a DAT recorder, and then restored from the DAT recorder. It is not possible to backup to a digital audio device other than a DAT recorder (e.g., MD recorder, DCC recorder or ADAT). Press the [ ] key. The drive and song number that you selected in step 3 will be displayed. If you wish to backup all songs of the currently selected drive, rotate the [VALUE] dial to select 1-✽✽ (All).
To restore all songs, rotate the [VALUE] dial to select the restore destination drive A–G. The capacity of that drive will be displayed beside the selection. 2. Loading a backed-up song from a DAT recorder (Restore) øB:HD1300œ Here’s how to restore a song that was backed-up on a DAT recorder. If you backed up 1-✽✽ (All), all songs will be restored. If you backed up an individual song, that song will be restored.
Chapter 3 Reference This chapter explains the parameters that appear in the display when you press the various keys of the D8, and the function of each key and fader. The numbers shown in the following diagram correspond to the references numbered below. For example, if you wish to learn about the parameters that are displayed when you press the [SONG/TRACK] key which is marked “1, 2” you can refer to “1. SONG/TRACK” for information on the parameter functions.
1. SONG/TRACK 2. EDIT SONG/TRACK P1 Song number/name display P1 Drive/song select 1 2 01:SngName P1-1 Song number display ...................................(01...50) This indicates the number of the song in the currently selected drive. A drive can contain up to 50 songs (memory permitting). The only songs that can be selected are those which already exist, and 01 (New empty song). For details on selecting a song, refer to “Selecting another song” (p.9). P1-2 Song name display .......
5 Renam:A01œ 6 SngName œ Del (Delete Song [→Current Song]): This operation deletes the currently-selected song. If there are songs following the deleted song, their song numbers will be moved forward accordingly. Following the delete operation, the next song will be selected. 1 4 5 Del:I01okœ Mov (Move Song [Current Song→Current Drive: Dest Song]): This operation moves the currently selected song to the specified song number within the same drive.
Del (Delete Track [→DestTrack]): This operation deletes the IN–OUT area of the destination track. Data following the OUT location will be pulled backward by the IN–OUT length. P3 Edit Track The area that will be affected by the editing operation can be specified in “15. IN/LOC1, OUT/LOC2, TO/ LOC3”. (Refer to p.
P3-1 Input monitor selection ..................... [Auto, Source] 3. SYSTEM Specifies how the input monitor sound will be output. P1 Channel level meter display selection Auto: For channels whose [TRACK STATUS] is REC, the track playback will be heard during playback, and the external input will be heard during recording (rehearsal) and when stopped. However if [REC SELECT] is set to MASTER, you will always hear the playback tracks. OUT IN Playback sound P1-1 Channel level meter display selection ..
P2-4 Device ID setting ............................................ [01...32] 4. EDIT SYSTEM If you selected DevID in P2-1, this parameter specifies the Device ID that will be used when receiving MMC from an external device. P1 Deleting a mark 1 Mark œ DeløAll ? If you selected RcvMMC in P2-1 and selected o (On) in P2-3, MMC messages will be received from an external device if the Device ID settings of the two devices match. 1 P1-1 Select the mark to be deleted........... [All, 001...
P5 Drive information/song backup/ restore/ initialize/format 1 DiskUtil œ 2 DriveInfoœ 3 Be aware that when a backup is performed, the data will be written onto the backup destination drive or DAT, all data which previously existed on the backup destination will be lost. It is not possible to backup to a hard disk. If you wish to save a song on a different hard disk, use the Song Copy operation. (Refer to “2. EDIT SONG/TRACKP2”, p.
P5-18 Destination song number select ................. [01...50] ^Song restore This will be displayed if you select Restore in P4-1. This operation restores (recalls) the song that was backed up. You can select either a removable disk (or disks) or a DAT (multiple volumes are not supported). If a backup of all songs was performed to a removable disk, you can choose whether to restore all songs or only a specified song. If a backup of all songs was performed to DAT, it is only possible to restore all songs.
5. DISPLAY MODE 6. REC MODE P1 Counter display selection Recording method select............................................ [Off, AutoPunch+RehearsalOn, AutoPunchOn, RehearsalOn] MBT (Measure/Beat/Tick [1/96th of a beat]/Mark*): The location will be displayed in units of a measure from the beginning of the song. The tempo and time signature for display are specified by TEMPO P1. 01:SngName MSM (Minutes/Seconds/Milliseconds/Mark*): The absolute time from the beginning of the song will be displayed.
8. EDIT PLAY MODE When the power is turned on, the pre roll time and post roll time are automatically set to 02M. Pre roll point P1 Pre roll time setting Here you can specify the pre roll time that is added to the IN time of Auto Play On and Auto Repeat On when Auto Punch In/Out is performed. When Auto Play On or Auto Repeat On is used in conjunction with Auto Punch In/Out, you will be able to listen for the pre roll time before punch in occurs, allowing you to prepare to start recording.
10. EDIT TRIGGER 11. TEMPO P1 Threshold level adjustment P1 Tempo map settings If you wish to listen to the metronome sound while you set the tempo, turn on the metronome (refer to METRONOME) before entering this page. 1 P1-1 Threshold level adjustment .................... [001...100] When trigger recording is used, this parameter specifies the audio input level that will initiate recording. When in record ready mode, recording will begin when this level is exceeded.
P1-5 Metronome type select..................................... [refer to “Metronome type list”] Selects a metronome type suitable for the time signature that you selected in the Time Signature setting (P1-3). You can change the rhythm pattern by selecting a metronome type in conjunction with changing the tempo and time signature. P2 Metronome volume setting P2-1 Metronome volume setting ......................[001...100] This sets the volume of the metronome.
14. EDIT METRONOME P1 Metronome volume setting If the metronome is on (refer to METRONOME), the metronome will sound when you enter this page. You can adjust the volume while listening to the metronome. 1 MetVol:050 15. IN/LOC1, OUT/LOC2, TO/LOC3 You can store any desired location in the song to the [IN/LOC1], [OUT/LOC2] and [TO/LOC3] keys, allowing you to move to the specified location (“locate point”) by pressing the appropriate key.
P1-1 Scene number select....................[S01...20, CUR, –1] 16. SCENE Selects the number of the scene whose settings you wish to check. Mixer settings can be stored at a desired location in a song. A set of mixer settings that has been stored in this way is called a “scene”. Up to twenty scenes can be stored in each song.
Select the scene number for deletion.......[S01...20, All] Selects the number of the scene that you wish to delete. 19. SCRUB S01...20: The selected scene will be deleted. All: All scenes in the currently selected song will be deleted. Scrub on/off .............................................................. [On, Off] P2-2 Scene start location display ............................. This displays the location at which the scene will be recalled. An empty scene is displayed as “– –”. 18.
21. TRACK STATUS 22. EQ Track status select ..................................................... [PLAY, REC (ANALOG), REC (DIGITAL), Mute] P1 High EQ gain adjustment 1 Selects the status of each track. ✧ Each time you press the [TRACK STATUS] key, the function will change and the indicator color will change to show this. PLAY (indicator lit green): The selected track can be played back. REC (ANALOG) (indicator blinking/lit red): This can be selected when [REC SELECT] is INPUT 1/2 or MASTER.
P1-1 Channel number display.................................. [1, 2, 3, 4, 5, 6, 1-2, 3-4, 5-6, 7-8] This shows the currently selected channel number. 1-2, 3-4 and 5-6 will appear when Pairing is On (refer to PAIR On/Off). P1-2 Effect send level settings .................. [000...100, Wet] Adjusts the send level to the internal effect (refer to EFFECT).
26. PAIR On/Off 27. REC SELECT P1-1 Pairing on/off .............................................. [On, Off] Input/recording source select.............................................. [INPUT 1/2, INPUT 1/2+MASTER, MASTER, DIGITAL IN] Turns pairing on/off for the mixer channels. Mixer settings of adjacent odd and even numbered channels (1-2, 3-4 and 5-6) can be linked so that changes to the setting of one channel will be simultaneously reflected by the setting of other channel.
(Example) The following diagram shows the chain for guitar program no.1 Rock Lead (EG1: ROCK) (refer to the “Effect program list”) INPUT Noise Reduction Distortion Amp Simulator Mono Delay OUTPUT The input and output of an effect program is determined by the effects which make up the chain. Effect types can be broadly divided into three types (refer to “P1-2 Effect name display”).
× 2 channels Use these effects when you wish to apply the same effect simultaneously to two channels. For example you would select this if you are inputting a piano sound from your keyboard in stereo, and would like to apply a compressor to each channel independently to process the sound that is being recorded. However, simultaneous two-channel input is accepted only if [EFFECT ASSIGN] is set either to INPUT 1/2 or MASTER (Global Type).
Off (-) is valid only within this page. When you move to another page, it will automatically be turned on. 29. EDIT EFFECT P1 Editing and saving an effect You can edit the effect program that you selected in EFFECT P1. Each program consists of up to four effects. :oœ LoG:-15dBœ 5 6 All Eff:o RenøRoom 7 P1-6 Save destination effect program name.............. [ (blank), A...Z, a...z, 0...9, @, !, “, #, $, %, ‘, (, ), *, +, ,, -, .
30. EFFECT ASSIGN 31. EDIT EFFECT ASSIGN Effect insert location select[................................. INPUT 1/2, MASTER (Send Type), MASTER (Global Type), OFF] P1 Effect return level setting Selects the location at which the internal effect will be inserted. INPUT 1/2: The internal effect will be INPUT 1/2 inserted between the EQ and the fader MASTER of mixer channels whose [TRACK EFFECT STATUS] is set to REC (ANALOG). ASSIGN (Refer to p.
Chapter 4 Appendices ^Is the power of the D8 and other equipment turned on? (→p.8) ^Is the [MASTER] fader or [PHONES] knob of the D8 turned down? (→p.2, p.7) ^Are the channel volume levels of the D8 turned down? If you have used the Scene Read operation, the actual volume levels may not match the fader positions. → To bring the actual levels into correspondence with the faders, raise and lower the faders. ^Is the [TRACK STATUS] set to MUTE? (→p.58) ^Are the audio cables connected correctly? (→p.
→ For the input, set “EfMtr” (→p.47) to In, and while watching level meter E, adjust the volume level ([TRIM] and fader) or “Snd” of each channel. → For the output, set “EfMtr” to Out, and while watching level meter E, use EDIT EFFECT to try resetting the parameters of the effect (→p.12) or lower the input to the effect (referring to the above paragraph on “Input”). ^Is the distortion occurring in the EQ? → Adjust [TRIM], or “HEQ” or “LEQ.
unneeded song or select another drive. IlliglFs 2. Various messages ^During a Restore operation, the sampling frequency from the DAT was incorrect. Completed ^The operation was executed successfully. Press the [ ] key to cancel this message. SongFull ^The maximum number of songs that can be registered in a disk drive has been reached. → Either delete unneeded songs, or select another drive. Working ^An operation is in progress. Please wait until this mes- sage disappears.
[ Digital Recording Studio ] Model MIDI Implementation Chart D8 Remarks Recognized Transmitted Function Date : 1997. 10. 27 3.
4.
■ Effect Assign = Input 1/2 70
5. Effect Program List RD1: RD2: RD3: RD4: RD5: RD6: RD7: RD8: RD9: œ ROOM œ HALL œ PLATE œ ER DELAY œ DLY œ X.DLY œ D.DLY œ T.DLY œ TREM œ PHASE I/O TYPE PROGRAM CHAIN EFFECT2 EFFECT3 EFFECT1 C C C C A B C B B S.4BEQ S.4BEQ S.4BEQ S.4BEQ DLY S.DLY X.DLY DualDLY TmpoDLY S.TREM S.PHASE D.PITCH S.CH/FL ENSEMBL EFFECT4 ROOM HALL PLATE ER MO1: MO2: MO3: MO4: MO5: D.PTCH œ CH/FL ENSEMB B, C B, C A B, C A DY1: DY2: DY3: DY4: œ LIMIT œ POP œ DANCE œ L.A. B, C B, C B, C B, C S.COMP S.COMP S.COMP S.
COMP (Compressor/Limiter) Effect type name as displayed _ (Unabbreviated effect type name) _ Remark Parameter name as displayed _ (Unabbreviated parameter name) _ Setting range _ Remark Limiter: An effect which evens out the volume of the input signal. Compressor: An effect which compresses the input signal to make it more consistent and give it more punch. When the Ratio value is inf:1, this effect functions as a Limiter. When the Radio value is other than inf:1, this effect functions as a Compressor.
DualDLY (Dual Delay) ER (Early Reflections) This is a delay in which the L/R channel parameters can be set independently. Out of the various reflected components that make up reverberation, this effect isolates only the early reflections. It gives the sound a sense of presence and reality. LLDamp (L LowDamp) RLDamp (R LowDamp) LMx (L Wet/Dry) 0...50 DRY,1,2,...,49,WET RMx (R Wet/Dry) DRY,1,2,..,49,WET 0...50 S.
PHONO (Turntable SIM) S.TREM (Stereo Tremolo) This simulates a record player. Scratch noise can also be added. RPM (Rpm) 33,45,78 WOW (Wow&Flutter) 0...50 HiCUT (High Cut) 0...50 NOISE (Scratch noise)0...50 Rotational speed Pitch instability caused by variation in rotational speed High frequency cut filter Scratch noise This is a version of Tremolo which allows 2-channel simultaneous input. In addition to the parameters of Tremolo, you can adjust the following. PHASE (Phase) 0...
7.
■ Analog/digital input/output formats 9. D8 Specifications < LINE, MIC/GUITAR INPUT1 > Connector ■ Specifications Input impedance < Recorder section > : 8 tracks (50 songs × 8 tracks) : 8 tracks simultaneous playback, 2 tracks simultaneous recording, 6 tracks playback + 2 tracks recording Recording format : 16 bit uncompressed, 44.1 kHz Recording time : 34 minutes of 8 tracks recording maximum (when using internal 1.
Functions added to the D8 10 Bouncing tracks 1–8 Now you can bounce a performance which was recorded on all eight tracks. Here’s how to bounce the sound of tracks 1–8 to tracks 7 and 8 in stereo. (Refer to p.17) Track Track Track Track Track Track Track Track 1 2 3 4 5 6 7 8 Track 7 Track 8 (1+2+3+4+5+6+7+8) Move the current time location to a point earlier than where you begin recording, and playback to check the result.
