User Manual
32
LFO RATE
LFO INT
PORTAMENTO
Bend Range + [1 Note...12 Note]
If the Slider is set to PITCH BEND, this parameter species how much pitch
bend will be applied when moving the slider in the plus (right) direction.
Bend Range – [1 Note...12 Note]
If the Slider is set to PITCH BEND, this parameter species how much pitch
bend will be applied when moving the slider in the minus (left) direction.
Button 7 (PITCH SETTINGS)
Microtuning
[Equal Temp...Reverse, AFX 001...006, USER SCALE 1...6, USER OCTAVE 1...6]
This sets the program's microtuning.
Preset tunings or user tunings that you have edited yourself can be selected.
Equal Temp (Equal Temperament): Spacing all semitones at equal pitch inter-
vals, this temperament is the most widely used.
Pure Major: Major chords in the selected key are perfectly tuned.
Pure Minor: Minor chords in the selected key are perfectly tuned.
Pythagoras: This ancient Greek scale is especially eective for playing melo-
dies. It consists of perfect fths; however, other intervals—the major third in
particular—is out of tune.
Werkmeister: The Werckmeister III scale was created in the later Baroque pe-
riod to allow relatively free transposition.
Kirnberger: The Kirnberger III scale is used mainly for tuning harpsichords.
Slendro: This is an Indonesian gamelan scale with ve notes per octave.
Pelog: This is an Indonesian gamelan scale with seven notes per octave.
Ionian: This is a major scale that contains seven notes per octave.
Dorian: This is the Aeolian scale (seven notes per octave) with a sharp sixth.
Aeolian: This is a natural minor scale that contains seven notes per octave.
Major Penta: This is a major pentatonic scale.
Minor Penta: Ths is a minor pentatonic scale.
Reverse: This is a reverse scale based on the C4 note.
AFX 001...006: These are original scales created by Aphex Twin, covering the
entire tonal range.
USER SCALE 1...6: These are user-programmed scales with dierent seings
for all MIDI notes. You can set them up in PROGRAM EDIT mode. For details,
refer to “Microtuning function” (p. 46).