User's Manual
Table Of Contents
- A few words from Greg Mackie.
- Selecting channels for a Mute Group.
- MAIN MIX (L/R) fader.
- Group Master Section.
- BREAK button/indicator
- MONITOR section
- STEREO IN knob
- Meter section.
- FX Master Section.
- Talkback.
- A better way.
- A traditional Monitor Mix.
- Musician's Phones.
- Aux Master AFL buttons and indicator.
- Aux Master.
- Master Control Section
- Further reading about mixing.
- A few more tips on equalization.
- MID EQ (stereo channels)
- Source Mic / Line (stereo channels).
- PFL switch / indicator
- Same as Mono Channels
- Different than
- Channel fader
- Bus Assign switches
- —20 (Signal present) LED.
- Mute button/ indicator.
- Pan.
- FX Send.
- Aux PRE Switch.
- Aux Sends
- EQ (Equalization), Mono Channels
- Comp (Compressor) and indicator.
- Gain Control.
- Mono Channel Strips.
- Channel 25-26 (or Channels 17-18) and Phones
- Musician Phones (AUX OUT 3 OR 4 + L/R INJECT)
- Aux Out.
- Group Out (sub buses).
- Monitor Out.
- Main Out.
- Talkback input.
- Foot Switch input.
- USB Out
- USB In
- USB input / output.
- Stereo input channels.
- Mono input channels.
- Power input connector
- POWER switch
- Power supply section
- Why do we start with the back of the mixer?
- How the band is set up on the mixer.
- The "pusha-bunch-'0' buttons" approach to creating a mute group.
- Un-doing the "pusha-bunch-'0' buttons" approach to creating a mute group.
- Program a Mute Group…
- Rack mounting (MW-2408 only)
- Settings that can be saved
- More on Factory Reset (restoring the factory default settings).
- Other GLOBAL options.
- Recalling a Global Scene
- Saving a Global Scene
- Global menu (scene memory, settings, initialization).
- Locking the state of the feedback suppressor
- Feedback Suppressor: Seting routing options.
- Recalling an Equalizer Setting (continued)
- Recalling an Equalizer Setting.
- Saving Equalizer settings.
- Adjusting (Narrow Mode) Continued
- Adjusting EQ Narrow Mode EQ (31 /9-band).
- Adjusting 9-band EQ (Wide Mode).
- Selecting Narrow or Wide 9-band equalization.
- Recalling a Dynamics preset.
- Saving a Dynamics setting.
- FEEDBACK SUPPRESSOR
- EQUALIZATION
- SoundLink Signal Processing*
- Gee, they don't sound like effects!
- Recalling a DFX preset.
- Saving a Digital Effects setting.
- Using the TAP button to set the delay time.
- Editing an effect
- Applying a Digital Effect
- Selecting the DFX type
- Digital Effects (DFX).
- Saving and Recalling Mute Groups.
- Combining Hard Mutes and Mute Groups.
- Adding to or subtracting channels from a Mute Group.
- Creating a Mute Group.
- "Hard muting".
- OL (Overload) LED.
Hook-up/Back panel Analog Controls Digital Controls
Group Out (sub buses).
Bus, sub group, or sub bus are all
names for a path along which you
can route one or more audio sig-
nals to a particular destination.
They are “mixers inside your mix-
er” and are the reason SoundLink
mixers are called “8 bus”.
Sub Groups ( sub buses) are
extremely useful for organizing
and controlling multiple chan-
nels from one fader. Let’s say you
have three back-up singers, each
with their own mic input. To
control the level, you would need
12
Main
Out.
These are
your Sound-
Link’s main
outputs
for connecting to main PA loud-
speakers or power amplifiers.
Use the main L/R fader to control
the volume output.
You can use both the XLR
and ¼” TRS outputs at
the same time. In other
words, four total outputs.
Hooking up your SoundLink
Monitor
Out.
Connect
these to your
studio monitor (or amps pow-
ering your passive monitors) if
you are using the SoundLink in a
studio situation. Use
the
MONITOR knob to
adjust the level.
Normally, this out-
put if fed by the
MAIN
L/R
bus. When the AFL/PFL
function is enabled, this outputs
the signal of a specific channel or
bus.
to simultaneously move three
faders in unison.
Instead, you can
route the singer
channels to a sub
group titled “Back
Up” by selecting one
of Bus Assign
buttons next
to each of the
vocal faders
(we picked
-).
Now all
three vocal channels will
be routed into Sub Group
-. and controlled by the
Sub Group Mix - fad-
er. Press the
SUB GRP
ASSIGN TO L/R
button
and control its level in
the overall mix with
one fader.