User's Manual
Table Of Contents
- A few words from Greg Mackie.
- Selecting channels for a Mute Group.
- MAIN MIX (L/R) fader.
- Group Master Section.
- BREAK button/indicator
- MONITOR section
- STEREO IN knob
- Meter section.
- FX Master Section.
- Talkback.
- A better way.
- A traditional Monitor Mix.
- Musician's Phones.
- Aux Master AFL buttons and indicator.
- Aux Master.
- Master Control Section
- Further reading about mixing.
- A few more tips on equalization.
- MID EQ (stereo channels)
- Source Mic / Line (stereo channels).
- PFL switch / indicator
- Same as Mono Channels
- Different than
- Channel fader
- Bus Assign switches
- —20 (Signal present) LED.
- Mute button/ indicator.
- Pan.
- FX Send.
- Aux PRE Switch.
- Aux Sends
- EQ (Equalization), Mono Channels
- Comp (Compressor) and indicator.
- Gain Control.
- Mono Channel Strips.
- Channel 25-26 (or Channels 17-18) and Phones
- Musician Phones (AUX OUT 3 OR 4 + L/R INJECT)
- Aux Out.
- Group Out (sub buses).
- Monitor Out.
- Main Out.
- Talkback input.
- Foot Switch input.
- USB Out
- USB In
- USB input / output.
- Stereo input channels.
- Mono input channels.
- Power input connector
- POWER switch
- Power supply section
- Why do we start with the back of the mixer?
- How the band is set up on the mixer.
- The "pusha-bunch-'0' buttons" approach to creating a mute group.
- Un-doing the "pusha-bunch-'0' buttons" approach to creating a mute group.
- Program a Mute Group…
- Rack mounting (MW-2408 only)
- Settings that can be saved
- More on Factory Reset (restoring the factory default settings).
- Other GLOBAL options.
- Recalling a Global Scene
- Saving a Global Scene
- Global menu (scene memory, settings, initialization).
- Locking the state of the feedback suppressor
- Feedback Suppressor: Seting routing options.
- Recalling an Equalizer Setting (continued)
- Recalling an Equalizer Setting.
- Saving Equalizer settings.
- Adjusting (Narrow Mode) Continued
- Adjusting EQ Narrow Mode EQ (31 /9-band).
- Adjusting 9-band EQ (Wide Mode).
- Selecting Narrow or Wide 9-band equalization.
- Recalling a Dynamics preset.
- Saving a Dynamics setting.
- FEEDBACK SUPPRESSOR
- EQUALIZATION
- SoundLink Signal Processing*
- Gee, they don't sound like effects!
- Recalling a DFX preset.
- Saving a Digital Effects setting.
- Using the TAP button to set the delay time.
- Editing an effect
- Applying a Digital Effect
- Selecting the DFX type
- Digital Effects (DFX).
- Saving and Recalling Mute Groups.
- Combining Hard Mutes and Mute Groups.
- Adding to or subtracting channels from a Mute Group.
- Creating a Mute Group.
- "Hard muting".
- OL (Overload) LED.
Hook-up/Back panel Analog Controls Digital Controls
Analog Controls
23
The mic preamp input level could be set at the edge of clipping but
not actually clipping. BUT, if you boost EQ — particularly low EQ —
it adds more gain…and the channel will distort-
The OL indicator reads the output of the mic preamp AND the out-
put of the EQ section.
Pan.
On a car stereo, this would be
referred to as the BALANCE
control.
PAN adjusts the left/right
balance of the channel’s sound in
the main mix.
Mute button/
indicator.
Enables/disables the chan-
nel’s mute function. In
other words, it excludes the
channel from the mix.
If
MUTE is enabled, all
signals being sent to
AUX,
FX, and the buses specified
by the assign switches are all
muted.
The
PFL function
can always be used,
regardless of the
mute setting.
When the mute
function is enabled, the indica-
tors are lit as follows.
❚ Red: Muted by the channel’s MUTE
button
❚ Orange: Muted by the MUTE GROUP
function or the BREAK function
While the
MUTE button is a
standard feature on small mix-
ers, we have seriously enhanced
it with Mute Groups. See page
(Mute Groups) for a complete
explanation of this
extremely useful
function
OL (Overload)
LED.
This indicator
lights when the
channel’s input
signal gets within
dB of clipping
level. Clipping is
a term for a signal
that exceeds that
capability of the
internal circuitry,
resulting in audible
distortion — just
what you try to
avoid by Level Set-
ting during sound
check.
—2 (Signal present) LED.
When this LED flashes or lights
continuously, the channel is re-
ceiving a signal of at least - dB.
It's a good way to see if whatever
is connected to the channel input
is actually making sound.
Bus Assign switches
If you want to create a submix,
you press one of more of these
buttons. That sends the chan-
nel’s signal to a
SUB GROUP MIX
BUS
as covered on page .
Channel fader
Adjusts the output level of the
signal that is input to the chan-
nel.
If a channel is not being used
reduce the fader to
∞
(off)to
avoid adding unwanted signals to
your mix.