User's Manual
Table Of Contents
- A few words from Greg Mackie.
- Selecting channels for a Mute Group.
- MAIN MIX (L/R) fader.
- Group Master Section.
- BREAK button/indicator
- MONITOR section
- STEREO IN knob
- Meter section.
- FX Master Section.
- Talkback.
- A better way.
- A traditional Monitor Mix.
- Musician's Phones.
- Aux Master AFL buttons and indicator.
- Aux Master.
- Master Control Section
- Further reading about mixing.
- A few more tips on equalization.
- MID EQ (stereo channels)
- Source Mic / Line (stereo channels).
- PFL switch / indicator
- Same as Mono Channels
- Different than
- Channel fader
- Bus Assign switches
- —20 (Signal present) LED.
- Mute button/ indicator.
- Pan.
- FX Send.
- Aux PRE Switch.
- Aux Sends
- EQ (Equalization), Mono Channels
- Comp (Compressor) and indicator.
- Gain Control.
- Mono Channel Strips.
- Channel 25-26 (or Channels 17-18) and Phones
- Musician Phones (AUX OUT 3 OR 4 + L/R INJECT)
- Aux Out.
- Group Out (sub buses).
- Monitor Out.
- Main Out.
- Talkback input.
- Foot Switch input.
- USB Out
- USB In
- USB input / output.
- Stereo input channels.
- Mono input channels.
- Power input connector
- POWER switch
- Power supply section
- Why do we start with the back of the mixer?
- How the band is set up on the mixer.
- The "pusha-bunch-'0' buttons" approach to creating a mute group.
- Un-doing the "pusha-bunch-'0' buttons" approach to creating a mute group.
- Program a Mute Group…
- Rack mounting (MW-2408 only)
- Settings that can be saved
- More on Factory Reset (restoring the factory default settings).
- Other GLOBAL options.
- Recalling a Global Scene
- Saving a Global Scene
- Global menu (scene memory, settings, initialization).
- Locking the state of the feedback suppressor
- Feedback Suppressor: Seting routing options.
- Recalling an Equalizer Setting (continued)
- Recalling an Equalizer Setting.
- Saving Equalizer settings.
- Adjusting (Narrow Mode) Continued
- Adjusting EQ Narrow Mode EQ (31 /9-band).
- Adjusting 9-band EQ (Wide Mode).
- Selecting Narrow or Wide 9-band equalization.
- Recalling a Dynamics preset.
- Saving a Dynamics setting.
- FEEDBACK SUPPRESSOR
- EQUALIZATION
- SoundLink Signal Processing*
- Gee, they don't sound like effects!
- Recalling a DFX preset.
- Saving a Digital Effects setting.
- Using the TAP button to set the delay time.
- Editing an effect
- Applying a Digital Effect
- Selecting the DFX type
- Digital Effects (DFX).
- Saving and Recalling Mute Groups.
- Combining Hard Mutes and Mute Groups.
- Adding to or subtracting channels from a Mute Group.
- Creating a Mute Group.
- "Hard muting".
- OL (Overload) LED.
Hook-up/Back panel Analog Controls Digital Controls
Analog Controls
29
BREAK button/indicator
MUTE for all input
channels (Chan-
nel – on the
MW-8; Chan-
nel – on the MW-68) in a
single action.
Press the button again to
return to the previous state.
When this is enabled, the
indicator blinks.
The following inputs and
buses are not muted by
the BREAK function.
• STEREO IN input
• TALKBACK input
• PFL bus of each channel
Group Master Section.
Here is where you blend your
Sub Group mixes into the Main
L/R mix or determine their level
if you're routing them out of the
rear panel
GROUP OUT jacks.
SUB GROUP ASSIGN TO L/R
switches
These switches send the signal of
each group to the
MAIN L/R bus.
SUB GROUP MASTER faders
Adjusts the output level sent to
the Main L/R (if assigned) and to
the Sub Master Outputs.
PFL switches/indicators.
These switches let you audition
each group's signal in the moni-
tor.
When they are enabled, the
signal that has been adjusted by
each
SUB GROUP MIX fader is sent
to the
PHONES jack and to the
MONITOR OUT output jacks.
If this is enabled, the indicator is
lit.
MAIN MIX (L/R) fader.
Adjusts the level of the MAIN MIX.
The signal adjusted
by the
MAIN MIX fad-
er is also sent to the
USB port output.