User's Manual
Table Of Contents
- A few words from Greg Mackie.
- Selecting channels for a Mute Group.
- MAIN MIX (L/R) fader.
- Group Master Section.
- BREAK button/indicator
- MONITOR section
- STEREO IN knob
- Meter section.
- FX Master Section.
- Talkback.
- A better way.
- A traditional Monitor Mix.
- Musician's Phones.
- Aux Master AFL buttons and indicator.
- Aux Master.
- Master Control Section
- Further reading about mixing.
- A few more tips on equalization.
- MID EQ (stereo channels)
- Source Mic / Line (stereo channels).
- PFL switch / indicator
- Same as Mono Channels
- Different than
- Channel fader
- Bus Assign switches
- —20 (Signal present) LED.
- Mute button/ indicator.
- Pan.
- FX Send.
- Aux PRE Switch.
- Aux Sends
- EQ (Equalization), Mono Channels
- Comp (Compressor) and indicator.
- Gain Control.
- Mono Channel Strips.
- Channel 25-26 (or Channels 17-18) and Phones
- Musician Phones (AUX OUT 3 OR 4 + L/R INJECT)
- Aux Out.
- Group Out (sub buses).
- Monitor Out.
- Main Out.
- Talkback input.
- Foot Switch input.
- USB Out
- USB In
- USB input / output.
- Stereo input channels.
- Mono input channels.
- Power input connector
- POWER switch
- Power supply section
- Why do we start with the back of the mixer?
- How the band is set up on the mixer.
- The "pusha-bunch-'0' buttons" approach to creating a mute group.
- Un-doing the "pusha-bunch-'0' buttons" approach to creating a mute group.
- Program a Mute Group…
- Rack mounting (MW-2408 only)
- Settings that can be saved
- More on Factory Reset (restoring the factory default settings).
- Other GLOBAL options.
- Recalling a Global Scene
- Saving a Global Scene
- Global menu (scene memory, settings, initialization).
- Locking the state of the feedback suppressor
- Feedback Suppressor: Seting routing options.
- Recalling an Equalizer Setting (continued)
- Recalling an Equalizer Setting.
- Saving Equalizer settings.
- Adjusting (Narrow Mode) Continued
- Adjusting EQ Narrow Mode EQ (31 /9-band).
- Adjusting 9-band EQ (Wide Mode).
- Selecting Narrow or Wide 9-band equalization.
- Recalling a Dynamics preset.
- Saving a Dynamics setting.
- FEEDBACK SUPPRESSOR
- EQUALIZATION
- SoundLink Signal Processing*
- Gee, they don't sound like effects!
- Recalling a DFX preset.
- Saving a Digital Effects setting.
- Using the TAP button to set the delay time.
- Editing an effect
- Applying a Digital Effect
- Selecting the DFX type
- Digital Effects (DFX).
- Saving and Recalling Mute Groups.
- Combining Hard Mutes and Mute Groups.
- Adding to or subtracting channels from a Mute Group.
- Creating a Mute Group.
- "Hard muting".
- OL (Overload) LED.
Hook-up/Back panel Analog Controls Digital Controls
HYBRID ANALOG/DIGITAL MIXER
GLOBAL
SETUPANTI-FEED OVERVIEW ANALYZER
SELECTTAP
RESET
:
REV HALLP01 -02
:
REV ROOMP03-04
:
REV VOCALP05-06
:
REV STAGEP07-08
:
REV PLATEP09- 1 0
:
REV SPRINGP 1 1 - 1 2
:
DELAYP 13-16
:
MOD FXP 17-20
:
TEST SOUND
P21-24
MULTIBAND DIGITAL PARAGRAPHIC EQ
DYNAMICS
FEEDBACK
EQUALIZER
DFX
INFO VIEW
AUX
21
MAIN
L/R
AUX
2
AUX
1
MENU EXIT
SELON
MAIN
L/R
AUX
Digital Controls Digital Eects
37
SoundLink's has a lot of
powerful digital features.
In order to help you navigate,
we have created a sub-Table of
Contents showing on which page
various functions are explained.
Click on one of these red rectan-
gle links.
Digital Eects (DFX).
DFX provides 6 types of effects
and tone generator function that
can output reference tones use-
ful for PA work.
You can edit an effect and save
it as a user type (maximum ).
Selecting the DFX type
Press the DFX section's
SELECT button. This screen
appears.
Eects
Dynamics
Equalization
Feedback
Global Scenes
Type Details Parameter / eect
P01: Rev Hall
P02: Rev Hall Warm
Provides the reverberation of a hall.
"Rev Hall Warm" provides a warm tone.
Time (Time that the reverberation
continues)
HiDamp (High frequency attenua-
tion of the reverberant sound over
time)
P03: Rev Room
P04: Rev Room Warm
Provides the reverberation of a small room.
"Rev Room Warm" provides a warm tone.
P05: Rev Vocal
P06: Rev Vocal Warm
Provides reverberation suitable for vocals.
"Rev Vocal Warm" provides a warm tone.
P07: Rev Stage
P08: Rev Stage Warm
Provides the reverberation of a mid-sized
stage.
"Rev Stage Warm" provides a warm tone.
P09: Rev Plate
P10: Rev Plate Warm
Provides the reverberation of a plate reverb
unit.
"Rev Plate Warm" provides a warm tone.
P11: Rev Spring
P12: Rev Spring
Warm
Provides the distinctive reverberation of a
spring reverb unit of the type often built into
a guitar amp.
"Rev Spring Warm" provides a warm tone.
Time (Time that the reverberation
continues)
Sway (Amount of modulation for
the spring)s
P13: Delay Analog
Adds a delayed sound. This models a warm-
toned analog delay.
Time (Delay time)
Feedback (Amount of repeated
delay sounds)
P14: Tape Echo
Adds a delayed sound. This models a tape
echo that balances warmth and clarity.
P15: Delay Standard
Adds a delayed sound.
P16: Delay SDD3000
Adds a delayed sound. This produces a clear
delay sound modeled on the Korg SDD3000
digital delay.
Use the dial or the function
buttons to select a type.
Dial: Turn the dial to move the
cursor to the desired eect type,
and then press the dial to con-
firm.
Function buttons: Use
"▲"/"▼" to change the eect
type. When you press a button,
the eect changes immediately,
so you can listen to the eects as
you switch through them.
Click to
navigate to
that Digital
Section.
Click to
navigate to
that Digital
Section.