User's Manual
Table Of Contents
- A few words from Greg Mackie.
- Selecting channels for a Mute Group.
- MAIN MIX (L/R) fader.
- Group Master Section.
- BREAK button/indicator
- MONITOR section
- STEREO IN knob
- Meter section.
- FX Master Section.
- Talkback.
- A better way.
- A traditional Monitor Mix.
- Musician's Phones.
- Aux Master AFL buttons and indicator.
- Aux Master.
- Master Control Section
- Further reading about mixing.
- A few more tips on equalization.
- MID EQ (stereo channels)
- Source Mic / Line (stereo channels).
- PFL switch / indicator
- Same as Mono Channels
- Different than
- Channel fader
- Bus Assign switches
- —20 (Signal present) LED.
- Mute button/ indicator.
- Pan.
- FX Send.
- Aux PRE Switch.
- Aux Sends
- EQ (Equalization), Mono Channels
- Comp (Compressor) and indicator.
- Gain Control.
- Mono Channel Strips.
- Channel 25-26 (or Channels 17-18) and Phones
- Musician Phones (AUX OUT 3 OR 4 + L/R INJECT)
- Aux Out.
- Group Out (sub buses).
- Monitor Out.
- Main Out.
- Talkback input.
- Foot Switch input.
- USB Out
- USB In
- USB input / output.
- Stereo input channels.
- Mono input channels.
- Power input connector
- POWER switch
- Power supply section
- Why do we start with the back of the mixer?
- How the band is set up on the mixer.
- The "pusha-bunch-'0' buttons" approach to creating a mute group.
- Un-doing the "pusha-bunch-'0' buttons" approach to creating a mute group.
- Program a Mute Group…
- Rack mounting (MW-2408 only)
- Settings that can be saved
- More on Factory Reset (restoring the factory default settings).
- Other GLOBAL options.
- Recalling a Global Scene
- Saving a Global Scene
- Global menu (scene memory, settings, initialization).
- Locking the state of the feedback suppressor
- Feedback Suppressor: Seting routing options.
- Recalling an Equalizer Setting (continued)
- Recalling an Equalizer Setting.
- Saving Equalizer settings.
- Adjusting (Narrow Mode) Continued
- Adjusting EQ Narrow Mode EQ (31 /9-band).
- Adjusting 9-band EQ (Wide Mode).
- Selecting Narrow or Wide 9-band equalization.
- Recalling a Dynamics preset.
- Saving a Dynamics setting.
- FEEDBACK SUPPRESSOR
- EQUALIZATION
- SoundLink Signal Processing*
- Gee, they don't sound like effects!
- Recalling a DFX preset.
- Saving a Digital Effects setting.
- Using the TAP button to set the delay time.
- Editing an effect
- Applying a Digital Effect
- Selecting the DFX type
- Digital Effects (DFX).
- Saving and Recalling Mute Groups.
- Combining Hard Mutes and Mute Groups.
- Adding to or subtracting channels from a Mute Group.
- Creating a Mute Group.
- "Hard muting".
- OL (Overload) LED.
Hook-up/Back panel Analog Controls Digital Controls
Avoid
ever
lighting
the red
LED.
2 3
2 3
5
Trying to set levels by saying “Test-
ing 1, 2, ” into the mic doesn’t
really work. Instead, sing some vocals
or play an instrument at a realistic
level.
Hit a cymbal, tom or kick drum as
hard as the drummer will during the
performance; jam on that guitar;
honk that sax; make sure keyboard
output level is set at normal output.
You get the idea.
You can check levels at
any time by pressing a
channel's PFL (PreFad-
er Listen) button. Then
make channel level
changes as necessary.
Plug a micro-
phone or other
audio source into
the first channel’s
rear panel
MIC IN
socket.
Turn ON the
mixer’s rear panel
POWER switch.
Then turn on your
monitors or their
amp.
Sing into the mic or play an
instrument at the volume
the musician or presenter
will be using during a per-
formance.
Press Channel ’s PFL (Pre
Fader Listen)
button. The
orange LED just above the
button should light up.
While watching
the Main Level
Display at
the right of the mixer,
turn Channel 1’s
GAIN
knob clockwise until
the LED above ""
flickers occasionally…
but not very often.
Okay. Here’s the less than-
fun news: you need to do this
procedure for every channel
that you are using for your mu-
sical or A/V performance.
As you probably know, this is
called a Sound Check. Come early
to a major concert and you’ll wit-
ness the same instrument-by-in-
strument, mic-by-mic procedure
being performed.
The good news is, your MW-
6 or MW-8 is now ready
to mix at its best settings with
maximum headroom and lowest
noise.
Take our word for it: These
steps are worth it!
Ten Steps to Level Setting
This is the
desired range