User's Manual
Table Of Contents
- A few words from Greg Mackie.
- Selecting channels for a Mute Group.
- MAIN MIX (L/R) fader.
- Group Master Section.
- BREAK button/indicator
- MONITOR section
- STEREO IN knob
- Meter section.
- FX Master Section.
- Talkback.
- A better way.
- A traditional Monitor Mix.
- Musician's Phones.
- Aux Master AFL buttons and indicator.
- Aux Master.
- Master Control Section
- Further reading about mixing.
- A few more tips on equalization.
- MID EQ (stereo channels)
- Source Mic / Line (stereo channels).
- PFL switch / indicator
- Same as Mono Channels
- Different than
- Channel fader
- Bus Assign switches
- —20 (Signal present) LED.
- Mute button/ indicator.
- Pan.
- FX Send.
- Aux PRE Switch.
- Aux Sends
- EQ (Equalization), Mono Channels
- Comp (Compressor) and indicator.
- Gain Control.
- Mono Channel Strips.
- Channel 25-26 (or Channels 17-18) and Phones
- Musician Phones (AUX OUT 3 OR 4 + L/R INJECT)
- Aux Out.
- Group Out (sub buses).
- Monitor Out.
- Main Out.
- Talkback input.
- Foot Switch input.
- USB Out
- USB In
- USB input / output.
- Stereo input channels.
- Mono input channels.
- Power input connector
- POWER switch
- Power supply section
- Why do we start with the back of the mixer?
- How the band is set up on the mixer.
- The "pusha-bunch-'0' buttons" approach to creating a mute group.
- Un-doing the "pusha-bunch-'0' buttons" approach to creating a mute group.
- Program a Mute Group…
- Rack mounting (MW-2408 only)
- Settings that can be saved
- More on Factory Reset (restoring the factory default settings).
- Other GLOBAL options.
- Recalling a Global Scene
- Saving a Global Scene
- Global menu (scene memory, settings, initialization).
- Locking the state of the feedback suppressor
- Feedback Suppressor: Seting routing options.
- Recalling an Equalizer Setting (continued)
- Recalling an Equalizer Setting.
- Saving Equalizer settings.
- Adjusting (Narrow Mode) Continued
- Adjusting EQ Narrow Mode EQ (31 /9-band).
- Adjusting 9-band EQ (Wide Mode).
- Selecting Narrow or Wide 9-band equalization.
- Recalling a Dynamics preset.
- Saving a Dynamics setting.
- FEEDBACK SUPPRESSOR
- EQUALIZATION
- SoundLink Signal Processing*
- Gee, they don't sound like effects!
- Recalling a DFX preset.
- Saving a Digital Effects setting.
- Using the TAP button to set the delay time.
- Editing an effect
- Applying a Digital Effect
- Selecting the DFX type
- Digital Effects (DFX).
- Saving and Recalling Mute Groups.
- Combining Hard Mutes and Mute Groups.
- Adding to or subtracting channels from a Mute Group.
- Creating a Mute Group.
- "Hard muting".
- OL (Overload) LED.
Hook-up/Back panel Analog Controls Digital Controls
HYBRID ANALOG/DIGITAL MIXER
GLOBAL
SETUPANTI-FEED OVERVIEW ANALYZER
SELECTTAP
RESET
:
REV HALLP01 -02
:
REV ROOMP03-04
:
REV VOCALP05-06
:
REV STAGEP07-08
:
REV PLATEP09- 1 0
:
REV SPRINGP 1 1 - 1 2
:
DELAYP 13-16
:
MOD FXP 17-20
:
TEST SOUND
P21-24
MULTIBAND DIGITAL PARAGRAPHIC EQ
DYNAMICS
FEEDBACK
EQUALIZER
DFX
INFO VIEW
AUX
21
MAIN
L/R
AUX
2
AUX
1
MENU EXIT
SELON
MAIN
L/R
AUX
52
The recalled equalizer settings
are applied to the currently
selected bus.
Feedback Suppressor:
Seting routing o ptions.
The Feedback Suppressor is
an automatic notch filter that
self-analyzed for feedbac and
then places a very narrow notch
filter in the offending band to
reduce feedback. parameter set-
tings. It just works.
Some "feedback suppressors",
create digital noise as they oper-
ate, ruining the whole concept
of natural feedback suppression,
KORG has gone far beyond our
competitors to create an actual
feedback natural suppressor.
What you CAN control is what
the Feedback Suppressor acts
upon: Main L/R, AUX 1 or AUX 2
(or all three at once).
Applying the Feedback Sup-
pressor on the Main L/R makes
perfect sense to reduce unex-
pected feedback from mic posi-
tion, or not-so-exact initial level
setting.
If you are using Aux and Aux
for monitor feeds, we recom-
mend that Feedback Suppression
should be always left on. Focused
into a floor wedge or in-ear sys-
tem, intense feedback can con-
tribute to deafness.
Depending on the
acoustic environment,
the response might be
slower, or suppression
might not be complete. In
this case, you can use the
NARROW BAND equalizer
in conjunction with this
to eectively suppress
feedback .
In the FEEDBACK section,
press the
ANTI-FEED button.
Each time you press the
button, the feedback sup-
pressor alternately turns
"ON" (enabled) or "OFF"
(disabled).
When you turn it "OFF"
(disabled), the suppression filter
is reset.
Digital Controls Feedback Suppressor