User's Manual
Table Of Contents
- Kurzweil International Contacts
- Table of Contents
- Introducing Forte SE
- Getting Started
- Features of the Forte SE
- Terminology
- The Operating Modes
- Program Mode
- Program Edit Mode
- About Program Edit Mode
- Differences Between Regular and Advanced User Type
- Selecting Parameters
- VAST and KB3 Programs
- VAST Program Structure
- Editing VAST Programs
- The Parameters (PARAMS) Page
- The Program FX (FX) Page
- The Layer FX (LYR_FX) Page
- The COMMON Page
- The KEYMAP Page
- The LAYER Page
- The PITCH Page
- The AMP Page
- The Algorithm (ALG) Page
- The DSP Control (DSPCTL) Page
- The DSP Modulation (DSPMOD) Page
- The OUTPUT Page
- The LFO Page
- The ASR Page
- The Function (FUN) Page
- The Amplitude Envelope (AMPENV) Page
- The Envelope 2 (ENV2) and Envelope 3 (ENV3) Pages
- The Envelope Control (ENVCTL) Page
- The Arpeggiator Function
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Editing VAST Programs With KVA Oscillators
- KB3 Program Structure
- Editing KB3 Programs
- KB3 Editor: The Parameters (PARAMS) Page
- KB3 Editor: The Program FX (FX) Page
- KB3 Editor: The COMMON Page
- KB3 Editor: The Tone Wheels (TONEWL) Page
- KB3 Editor: The Drawbars (DRAWBR) Page
- KB3 Editor: The PITCH Page
- KB3 Editor: The AMP Page
- KB3 Editor: The KEYCLICK Page
- KB3 Editor: The PERC1 Page
- KB3 Editor: The PERC2 Page
- KB3 Editor: The EQ Page
- KB3 Editor: The OUTPUT Page
- KB3 Editor: The LFO, ASR, FUN, and ARP Pages
- The Effects Chain Editor
- Keymap and Sample Editing
- Multi Mode
- Multi Edit Mode
- About Multi Edit Mode
- Selecting Parameters
- Zone Parameters
- OVERVIEW Page
- MAIN Page
- KEYVEL (KeyVelocity) Page
- BEND Page
- CCTLS (CCs/Continuous Controllers) Page
- SWITCH (Switches) Page
- Controlling Program Parameter Assignments from Multi Mode
- The Controller Destination List
- COMMON Page
- ARP1 and ARP2 (Arpeggiator 1 & 2) Pages
- FX Page
- AUXFX 1, AUXFX 2
- About Auxiliary Effects
- Audio Input (AUD-IN)
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Save User Multis
- Global Mode
- Song Mode and the Song Editor
- Getting Started with the Sequencer
- Song Mode: The MAIN Page
- Song Mode: The BIG Page
- Song Mode: The FX Pages
- Song Mode: The MIXER Page
- Song Mode: The METRONOME Page
- Song Mode: The Filter Pages (RECFLT and PLYFLT)
- Song Mode: The MISC Page
- Song Mode: The STATS Page
- The Song Editor
- Song Editor: The COMMON Page
- Song Editor: The TRACK Page
- Song Editor: Track Functions
- Song Editor: The EVENT Page
- System Mode
- Troubleshooting
- MIDI Implementation
- Physical Specifications
- Programs
- KB3 Programs
- Multis
- Effects Chains
- Index
Program Edit Mode
The Amplitude Envelope (AMPENV) Page
7-50
Parameter Group Parameter Range of Values
Attack Segment 1, 2, 3
Time 0 to 60 seconds
Level 0 to 100%
Decay Segment
Time 0 to 60 seconds
Level 0 to 100%
Release Segment 1, 2, 3
Time 0 to 60 seconds
Level
0 to 150% (Release Segment
3 is always set to 0%)
Loop
Type Off, Forward, Bidirectional
# of loops Innite, 1 to 31 times
Attack Segment Times
ese indicate how long it takes for the current layer’s amplitude to reach its nal level from
its starting level.
Attack Segment Levels
ese are the nal levels that each segment achieves at completion. e levels are expressed
as percentages of the maximum possible amplitude for the current layer. Attack segment 1
always starts at zero amplitude, and moves to its assigned level in the time specied by its
time value. So the default settings of 0 seconds and 100% mean that the rst segment of the
attack section moves instantly from zero amplitude to 100% amplitude. Increase the time of
Attack segment 1 if you want the sound to ramp up more slowly.
Attack segments 2 and 3 aect the sound only when you set a nonzero value for time. ey
will then move to their assigned levels in the time specied. eir starting levels are equal to
the nal levels of the preceding segment.
Decay Segment
e decay section has only one segment. It has values for time and level, just as for the attack
section. e decay section begins as soon as the attack section has been completed. It starts
at the same amplitude level as the attack segment preceding it, and moves to its assigned
level in the time specied. You’ll hear a note’s decay section only when the attack section is
completed before a Note O message is generated for that note.
To create a sustaining envelope, simply set the Decay segment’s level to a nonzero value.