User's Manual
Table Of Contents
- Kurzweil International Contacts
- Table of Contents
- Introducing Forte SE
- Getting Started
- Features of the Forte SE
- Terminology
- The Operating Modes
- Program Mode
- Program Edit Mode
- About Program Edit Mode
- Differences Between Regular and Advanced User Type
- Selecting Parameters
- VAST and KB3 Programs
- VAST Program Structure
- Editing VAST Programs
- The Parameters (PARAMS) Page
- The Program FX (FX) Page
- The Layer FX (LYR_FX) Page
- The COMMON Page
- The KEYMAP Page
- The LAYER Page
- The PITCH Page
- The AMP Page
- The Algorithm (ALG) Page
- The DSP Control (DSPCTL) Page
- The DSP Modulation (DSPMOD) Page
- The OUTPUT Page
- The LFO Page
- The ASR Page
- The Function (FUN) Page
- The Amplitude Envelope (AMPENV) Page
- The Envelope 2 (ENV2) and Envelope 3 (ENV3) Pages
- The Envelope Control (ENVCTL) Page
- The Arpeggiator Function
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Editing VAST Programs With KVA Oscillators
- KB3 Program Structure
- Editing KB3 Programs
- KB3 Editor: The Parameters (PARAMS) Page
- KB3 Editor: The Program FX (FX) Page
- KB3 Editor: The COMMON Page
- KB3 Editor: The Tone Wheels (TONEWL) Page
- KB3 Editor: The Drawbars (DRAWBR) Page
- KB3 Editor: The PITCH Page
- KB3 Editor: The AMP Page
- KB3 Editor: The KEYCLICK Page
- KB3 Editor: The PERC1 Page
- KB3 Editor: The PERC2 Page
- KB3 Editor: The EQ Page
- KB3 Editor: The OUTPUT Page
- KB3 Editor: The LFO, ASR, FUN, and ARP Pages
- The Effects Chain Editor
- Keymap and Sample Editing
- Multi Mode
- Multi Edit Mode
- About Multi Edit Mode
- Selecting Parameters
- Zone Parameters
- OVERVIEW Page
- MAIN Page
- KEYVEL (KeyVelocity) Page
- BEND Page
- CCTLS (CCs/Continuous Controllers) Page
- SWITCH (Switches) Page
- Controlling Program Parameter Assignments from Multi Mode
- The Controller Destination List
- COMMON Page
- ARP1 and ARP2 (Arpeggiator 1 & 2) Pages
- FX Page
- AUXFX 1, AUXFX 2
- About Auxiliary Effects
- Audio Input (AUD-IN)
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Save User Multis
- Global Mode
- Song Mode and the Song Editor
- Getting Started with the Sequencer
- Song Mode: The MAIN Page
- Song Mode: The BIG Page
- Song Mode: The FX Pages
- Song Mode: The MIXER Page
- Song Mode: The METRONOME Page
- Song Mode: The Filter Pages (RECFLT and PLYFLT)
- Song Mode: The MISC Page
- Song Mode: The STATS Page
- The Song Editor
- Song Editor: The COMMON Page
- Song Editor: The TRACK Page
- Song Editor: Track Functions
- Song Editor: The EVENT Page
- System Mode
- Troubleshooting
- MIDI Implementation
- Physical Specifications
- Programs
- KB3 Programs
- Multis
- Effects Chains
- Index
The Effects Chain Editor
Effects Parameters
8-18
LP n Freq are shelving frequencies for one-pole lowpass lters on each of the distortion
stages. LP0 Freq handles the initial low pass prior to the rst distortion stage. e other low
pass controls follow their respective distortion stages. Range is 16 to 25088 Hz.
Rotating Speakers
An eect that includes Rotating Speakers breaks the signal into two frequency bands,
“rotates” each band separately through a virtual speaker, and then combines the outputs with
a pair of virtual “microphones” whose angle relative to the speakers is adjustable. A number
of very sophisticated parameters have been included in the Rotating Speakers eect, to give
the eect a great degree of realism. Because of the complexity of the eects, you might want
to approach any parameters that seem a little obscure to you with caution.
Roto InOut engages or bypasses the rotary speaker eect.
ere are four virtual microphones, with two each on the woofer (LoMic A and LoMic B)
and on the tweeter (HiMic A and HiMic B). Each microphone has:
Pos (position), the angle of the microphone from the front of the virtual speaker, from -180
to 180degrees;
Lvl (level) from 0 to 100%; and Pan, the left/right panning of the microphone’s output,
from -100% (full left) to 100% (full right). Other parameters:
Lo Beam W and Hi Beam W set the acoustic radiation patterns (“beam width”) of the two
drivers in the rotating speaker. If you imagine looking down on the rotating speaker, this is
the angle between the -6 dB levels of the beam. e range is from 45° to 360°. At 360°, the
driver is omnidirectional.
Xover (Crossover) is the frequency at which high and low frequency bands are split and sent
to separate rotating drivers. e range is 16 to 25088 Hz.
Lo Gain and Hi Gain are the gains of the signal passing through the rotating woofer or
tweeter, respectively. e range is O/-79.0 to 24.0 dB.
Lo Size and Hi Size are the eective sizes (radius of rotation) of the rotating speakers in
millimeters. is aects the amount of Doppler shift or vibrato of the low frequency signal.
e range is 0 to 250 mm.
Lo Trem and Hi Trem control the depth of tremolo (amplitude modulation) of the signals. It
is expressed as a percentage of full scale tremolo. e range is 0 to 100%.
LoResonate and HiResonate are simulations of cabinet resonant modes expressed as a
percentage. For realism, you should use very low settings. e range is 0 to 100%.
Lo Res Dly and Hi Res Dly are the number of samples of delay in each resonator circuit in
addition to the rotation excursion delay. e range is 10 to 2550 samples.
LoResXcurs and HiResXcurs are the number of samples of delay to sweep through the
resonator at the rotation rate of each rotating speaker. e range is 0 to 510 samples.