User's Manual
Table Of Contents
- Kurzweil International Contacts
- Table of Contents
- Introducing Forte SE
- Getting Started
- Features of the Forte SE
- Terminology
- The Operating Modes
- Program Mode
- Program Edit Mode
- About Program Edit Mode
- Differences Between Regular and Advanced User Type
- Selecting Parameters
- VAST and KB3 Programs
- VAST Program Structure
- Editing VAST Programs
- The Parameters (PARAMS) Page
- The Program FX (FX) Page
- The Layer FX (LYR_FX) Page
- The COMMON Page
- The KEYMAP Page
- The LAYER Page
- The PITCH Page
- The AMP Page
- The Algorithm (ALG) Page
- The DSP Control (DSPCTL) Page
- The DSP Modulation (DSPMOD) Page
- The OUTPUT Page
- The LFO Page
- The ASR Page
- The Function (FUN) Page
- The Amplitude Envelope (AMPENV) Page
- The Envelope 2 (ENV2) and Envelope 3 (ENV3) Pages
- The Envelope Control (ENVCTL) Page
- The Arpeggiator Function
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Editing VAST Programs With KVA Oscillators
- KB3 Program Structure
- Editing KB3 Programs
- KB3 Editor: The Parameters (PARAMS) Page
- KB3 Editor: The Program FX (FX) Page
- KB3 Editor: The COMMON Page
- KB3 Editor: The Tone Wheels (TONEWL) Page
- KB3 Editor: The Drawbars (DRAWBR) Page
- KB3 Editor: The PITCH Page
- KB3 Editor: The AMP Page
- KB3 Editor: The KEYCLICK Page
- KB3 Editor: The PERC1 Page
- KB3 Editor: The PERC2 Page
- KB3 Editor: The EQ Page
- KB3 Editor: The OUTPUT Page
- KB3 Editor: The LFO, ASR, FUN, and ARP Pages
- The Effects Chain Editor
- Keymap and Sample Editing
- Multi Mode
- Multi Edit Mode
- About Multi Edit Mode
- Selecting Parameters
- Zone Parameters
- OVERVIEW Page
- MAIN Page
- KEYVEL (KeyVelocity) Page
- BEND Page
- CCTLS (CCs/Continuous Controllers) Page
- SWITCH (Switches) Page
- Controlling Program Parameter Assignments from Multi Mode
- The Controller Destination List
- COMMON Page
- ARP1 and ARP2 (Arpeggiator 1 & 2) Pages
- FX Page
- AUXFX 1, AUXFX 2
- About Auxiliary Effects
- Audio Input (AUD-IN)
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Save User Multis
- Global Mode
- Song Mode and the Song Editor
- Getting Started with the Sequencer
- Song Mode: The MAIN Page
- Song Mode: The BIG Page
- Song Mode: The FX Pages
- Song Mode: The MIXER Page
- Song Mode: The METRONOME Page
- Song Mode: The Filter Pages (RECFLT and PLYFLT)
- Song Mode: The MISC Page
- Song Mode: The STATS Page
- The Song Editor
- Song Editor: The COMMON Page
- Song Editor: The TRACK Page
- Song Editor: Track Functions
- Song Editor: The EVENT Page
- System Mode
- Troubleshooting
- MIDI Implementation
- Physical Specifications
- Programs
- KB3 Programs
- Multis
- Effects Chains
- Index
The Effects Chain Editor
Effects Parameters
8-21
Pitcher
Pitcher applies a lter to the input signal which has a series of peaks in the frequency
response.
ese peaks are normally adjusted so that their frequencies are all multiples of a specic,
selectable frequency, which imposes a strong sense of pitch at the selected fundamental
frequency.
Pitch. e fundamental pitch imposed upon the input, in MIDI note numbers from C-1 to
G9. Ptch Ost is an oset from the pitch frequency in semitones, from -12.0 to 12.0. It can
be useful to assign pitch bend, a ribbon, or another continuous controller to this parameter
through a MOD.
Odd Wts, Pair Wts, Quartr Wts, Half Wts are parameters that control the shape of the
frequency response of Pitcher. An exact description of what each one does is, unfortunately,
impossible, since there is a great deal of interaction between them. For more information
and examples, see the KSP8 Algorithm Reference Guide available as a free download at www.
kurzweil.com.
Ring Modulation
Ring modulation multiplies two signals (the “carrier” and the “modulator”) together to
produce unusual, often non-harmonic, overtones. e Ring Modulator eect in the Forte
SE has two modes: “L*R” in which two mono signals are modulated together; and “Osc”,
in which the input is stereo, and it is modulated with the sum of ve waveforms that are
generated from oscillators within the eect itself. Four of these oscillators are sine waves,
while one (Oscillator 1) oers a selection of waveforms.
Wet/Dry. When the eect is in “L*R” mode, this controls how much of the left signal only is
passed dry (the right signal isn’t passed dry at all).
Mod Mode selects between the two modes, L*R or Osc.
Osc1 Lvl is the level of Oscillator 1, from 0 to 100%.
Osc1 Freq is the frequency of Oscillator 1, from 16 to 25088 Hz.
Osc1 Shape is the waveshape of Oscillator 1, selectable from Sine, Saw+, Saw-, Pulse, and
Tri.
Osc1PlsWid (Pulse Width). When Osc1 Shape is set to Pulse, this sets the pulse width as
a percentage of the waveform period. When the width is set to 50%, the result is a square
wave. is parameter has no eect if other waveform types are chosen. Range is 0 to 100%.
Osc1Smooth smooths (removes the higher harmonics from) the Saw+, Saw-, and Pulse
waveforms. A Sawtooth wave becomes more like a triangle wave, and a Pulse wave becomes
more like a sine wave. Range is 0 to 100%.
e other four oscillators, Sine2 through Sine5, each have Lvl and Freq controls.