User's Manual
Table Of Contents
- Kurzweil International Contacts
- Table of Contents
- Introducing Forte SE
- Getting Started
- Features of the Forte SE
- Terminology
- The Operating Modes
- Program Mode
- Program Edit Mode
- About Program Edit Mode
- Differences Between Regular and Advanced User Type
- Selecting Parameters
- VAST and KB3 Programs
- VAST Program Structure
- Editing VAST Programs
- The Parameters (PARAMS) Page
- The Program FX (FX) Page
- The Layer FX (LYR_FX) Page
- The COMMON Page
- The KEYMAP Page
- The LAYER Page
- The PITCH Page
- The AMP Page
- The Algorithm (ALG) Page
- The DSP Control (DSPCTL) Page
- The DSP Modulation (DSPMOD) Page
- The OUTPUT Page
- The LFO Page
- The ASR Page
- The Function (FUN) Page
- The Amplitude Envelope (AMPENV) Page
- The Envelope 2 (ENV2) and Envelope 3 (ENV3) Pages
- The Envelope Control (ENVCTL) Page
- The Arpeggiator Function
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Editing VAST Programs With KVA Oscillators
- KB3 Program Structure
- Editing KB3 Programs
- KB3 Editor: The Parameters (PARAMS) Page
- KB3 Editor: The Program FX (FX) Page
- KB3 Editor: The COMMON Page
- KB3 Editor: The Tone Wheels (TONEWL) Page
- KB3 Editor: The Drawbars (DRAWBR) Page
- KB3 Editor: The PITCH Page
- KB3 Editor: The AMP Page
- KB3 Editor: The KEYCLICK Page
- KB3 Editor: The PERC1 Page
- KB3 Editor: The PERC2 Page
- KB3 Editor: The EQ Page
- KB3 Editor: The OUTPUT Page
- KB3 Editor: The LFO, ASR, FUN, and ARP Pages
- The Effects Chain Editor
- Keymap and Sample Editing
- Multi Mode
- Multi Edit Mode
- About Multi Edit Mode
- Selecting Parameters
- Zone Parameters
- OVERVIEW Page
- MAIN Page
- KEYVEL (KeyVelocity) Page
- BEND Page
- CCTLS (CCs/Continuous Controllers) Page
- SWITCH (Switches) Page
- Controlling Program Parameter Assignments from Multi Mode
- The Controller Destination List
- COMMON Page
- ARP1 and ARP2 (Arpeggiator 1 & 2) Pages
- FX Page
- AUXFX 1, AUXFX 2
- About Auxiliary Effects
- Audio Input (AUD-IN)
- The Utility Soft Buttons, HELP Soft Button and Favorites Buttons Functions
- Save User Multis
- Global Mode
- Song Mode and the Song Editor
- Getting Started with the Sequencer
- Song Mode: The MAIN Page
- Song Mode: The BIG Page
- Song Mode: The FX Pages
- Song Mode: The MIXER Page
- Song Mode: The METRONOME Page
- Song Mode: The Filter Pages (RECFLT and PLYFLT)
- Song Mode: The MISC Page
- Song Mode: The STATS Page
- The Song Editor
- Song Editor: The COMMON Page
- Song Editor: The TRACK Page
- Song Editor: Track Functions
- Song Editor: The EVENT Page
- System Mode
- Troubleshooting
- MIDI Implementation
- Physical Specifications
- Programs
- KB3 Programs
- Multis
- Effects Chains
- Index
Program Edit Mode
The KEYMAP Page
7-21
Parameter Range of Values Default
Stereo Off, On Off
Timbre Shift ± 60 semitones 0
Playback Mode Norm, Rvrs, Bidirectional, Noise Normal
Alt Control Control Source List Off
Piano Resonance Off, On Off
Stereo
You’ll use this parameter when you’re working with stereo samples.
When you set this parameter to On, the KEYMAP page changes slightly:
An additional Keymap parameter appears. e two keymap parameters are distinguished as
Keymap 1 and Keymap 2. e KEYMAP page parameters will aect both keymaps. When
the Stereo parameter is set to On, the OUTPUT page for the current layer will show an
additional Pan parameter.
e Forte SE contains both stereo and mono samples. Keymaps designed for stereo use are
labeled with names beginning with “Stereo” or ending in “Left,” “Right,” “L,” or “R.” For
stereo keymap playback, set Stereo “On” and assign corresponding Left and Right keymaps
to Keymap1 and Keymap2 respectively. For keymaps beginning with “Stereo,” assign the
same keymap to both Keymap1 and Keymap2. If you select the same keymap for Keymap1
and Keymap2, the Forte SE automatically uses the left side for Keymap1 and the right side
for Keymap2.
Once you have the keymaps assigned, go to the OUTPUT page and set the panning for
each sample as desired. Keep in mind that using stereo keymaps reduces the polyphony of
the program. For example, if you had a two-layer program with stereo keymaps in each layer,
each note you play would use 4 of your 128 voices, allowing a total of 32 notes before all the
voices have been used.
If you’re not using stereo samples, you should set this parameter’s value to O.